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1. LETTERS FROM THE ARCHIVERSE

   As a programmable writing project, Letters from the Archiverse can be considered both a visual poem and an application. Its most current version was composed (and continues to be developed) with architectural modeling space software AutoCAD. Combining methods and techniques drawn from traditional lineages of concrete poetry and ―open-field‖ composition with 3D image modeling, the poem offers writers and viewers alike the opportunity to engage in the materiality of screen-based writing, while exploring new directions and theories in visual language art. In the current phase of the project, readers are able to explore and manipulate the poem on the iPad, using a commercial architectural drafting app.

   Jeff T. Johnson - 14.01.2013 - 02:19

2. Evolution

   Evolution is a online artwork that emulates the writing and compositions of poet and artist Johannes Heldén. The application analyzes a set of all published text- and sound-work by the artist and generates a continuously evolving poem that simulates Heldéns style : in vocabulary, the spacing in-between words, syntax. In this performance, the digital version of artist meets the original. The aim is to raise questions about authenticity, about the future, about physics and science fiction.

   (Source: http://chercherletexte.org/en/performance/evo-lution/)

   Alvaro Seica - 25.09.2013 - 12:22

3. Grita

   It is a digital poem that can only be read by screaming to the screen. Once the user screams the verses of the poem appear and when the user stops, the words are not longer seen. It is an interactive sound poem. It can be related to Loss of Grasp by Serge Bouchardon and Vincent Volckaert and Zang Tumb Tumb by Filippo Tommaso Marinetti. Aburto is a Peruvian poet and professor at the PUCP. Having worked in Communicative Arts has permitted him use different formats for his poetry: oral, written and digital. His Peruvian origin can be seen in the way his work relates to other 2000s writers from Peru: vindication of publication of poetry and interest for combining conceptual, textual and visual aspects. In this work, the use of the screen, the microphone and the appearing and disappearing letters permit a communicative situation between poet and reader, the reader becomes a creator of the poem because his participation is essential for watching the words. The effort of crying out loud that the work demands to the reader increases the effects of the messages of desperation and vindication

   (Source: Maya Zalbidea)

   Maya Zalbidea - 08.01.2016 - 20:28

4. Kimchi Poetry Machine

   The Kimchi Poetry Machine is powered by open-source tangible computing. When the jar is opened, poetry audibly flows from it, and readers and listeners are immersed in the meditative experience of poetry. Small “kimchi twitter” paper poems are housed inside the jar, with each poem is printed an invitation to tweet a poem to the machine handle. Eight original feminist “kimchi twitter” poems were written for the machine by invited women and transgender poets. The Kimchi Poetry Machine prototype was created through my 2014 summer fellowship from the CITRIS (Center for Information Technology Research in the Interest of Society) Invention Lab at the University of California, Berkeley. As a response to “bookless” libraries, The Kimchi Poetry Machine reimagines how tangible computing can be utilized for a feminist participatory engagement with poetry. (Source: ELC 3)

   Eirik Tveit - 08.09.2016 - 10:11