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Unprinted
An interview with Anne Karhio on printed and digital contemporary Irish poetry, place and new media technologies.
Anne Karhio - 23.04.2015 - 11:08
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Poet and Program
Poet and Program
Alvaro Seica - 28.04.2015 - 21:00
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Digital Poetry and Collaborative 'Wreadings' of Literary Texts
Digital Poetry and Collaborative 'Wreadings' of Literary Texts
Alvaro Seica - 05.05.2015 - 14:45
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From Byte to Inscription: An Interview with John Cayley by Brian Kim Stefans
From Byte to Inscription: An Interview with John Cayley by Brian Kim Stefans
Alvaro Seica - 05.05.2015 - 15:15
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Moving Text in Avant-garde Poetry: Towards a Poetics of Textual Motion
Recent innovations in digital environments may suggest that the possibility to manipulate the literal movement of the text could be one of the essential variables separating digital literature from printed literature. This bipolar distinction between digital and print media hides, however, a complex historical background. A fuller comprehension of movement as a variable in literature calls for the clarification of the historical development from the "analogies of movement" in printed literature to the innovations in video art, experimental film and multimedia poetry.
In classifying types of textual movement at least the following questions are relevant: What can be kinetic in the poetic text? How does the movement take place? Where does it take place? What is the result of the movement? And finally, what (or who) makes the text move? The article develops conceptual divisions that make answering these questions possible and thus helps to make the question of the specificity of digitally manipulated movement more precise.
(Source: Author's Abstract)
Alvaro Seica - 06.05.2015 - 13:52
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Digital Poetry and Meta-Discourse: A Network of Self-References?
This paper spins from an analysis of several works of critical writing in the field of digital poetry, which have been documented at the ELMCIP Knowledge Base (http://elmcip.net).
Alvaro Seica - 16.05.2015 - 22:06
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The Digital Diasthima: Time-Lapse Reading as Critical and Creative Performance
In moving texts, such as digital kinetic poetry, the reader-user might no longer control the duration of their reading, unlike the traditional and static nature of printed texts. The user deals with readable time versus executable time, the human time-line versus the machine time-line. By having an imposed and fixed number of milliseconds to perceive the text on the screen, the user might find themselves completing or imagining the unread text, following the dynamic forms with an imposed dynamic content. Yet, to understand the shifting reading patterns of digital poems, one has to consider another methods or tools that may complement traditional models. Therefore, performing a critical approach solely based in close reading methods might not accomplish a fully comprehensible reading of digital poetry. In this sense, following upon methods taken from other areas, e.g. time-lapse photography and R.
Alvaro Seica - 03.09.2015 - 20:26
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The Digital Diasthima: Time-Lapse Reading Digital Poetry
In moving texts, such as digital kinetic poetry, the reader-user might no longer control the duration of their reading, unlike the traditional and static nature of printed texts. The user deals with readable time versus executable time, the human time-line versus the machine time-line. By having an imposed and fixed number of milliseconds to perceive the text on the screen, the user might find themselves completing or imagining the unread text, following the dynamic forms with an imposed dynamic content. Yet, to understand the shifting reading patterns of digital poems, one has to consider another methods or tools that may complement traditional models. Therefore, performing a critical approach solely based in close reading methods might not accomplish a fully comprehensible reading of digital poetry. In this sense, following upon methods taken from other areas, e.g. time-lapse photography and R.
Alvaro Seica - 03.09.2015 - 22:02
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Um Feixe Luminoso: Uma Leitura da Coleção de Literatura Eletrônica Portuguesa
A Coleção de Literatura Eletrónica Portuguesa (CLEP), na base de dados ELMCIP, pretende abordar e recolher as obras criativas e teóricas mais relevantes produzidas por autores portugueses no campo da literatura eletrónica, durante os últimos quarenta e cinco anos. A coleção agrega também autores, eventos, organizações, editoras, periódicos, publicações, conferências, performances, instalações e exposições que estejam relacionadas com o contexto português.
O presente ensaio analisa criticamente a CLEP, em torno de elementos literários, políticos, históricos, estéticos e tecnológicos, através de um fio condutor representado por um “feixe luminoso”, que pretende dar conta da transição e continuidade temática e medial, mas também da transgressão e ruptura, produzidas pela vanguarda do movimento de Poesia Experimental dos anos 1960 até aos ambientes computacionais de criação literária do século 21. Ao longo desta leitura, analisa-se igualmente várias obras de Pedro Barbosa, E. M. de Melo e Castro, Silvestre Pestana, Manuel Portela e Rui Torres.(Fonte: Resumo do Autor)
Alvaro Seica - 03.09.2015 - 22:32
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p2p: Polish-Portuguese E-Lit
The p2p exhibition brings to public different digital literary works produced by Polish and Portuguese authors in the past four decades. Polish and Portuguese literary, artistic, social, political, and even religious contexts are quite similar, even if geographically distant, and still quite divergent. It has been a fascinating surprise to find evidence of several common threads in works of experimental and generative literature, Spectrum-based animated poetry/Demoscene, and ActionScript-based digital poetry and fiction.
The exhibition will therefore be constructed around three nuclei: experimentalism, activism and animation. For this purpose, the p2p exhibition proposes to present, face-to-face, works by authors such as Pedro Barbosa, Silvestre Pestana, E. M. de Melo e Castro, Rui Torres, André Sier, Manuel Portela, Luís Lucas Pereira, Józef Żuk Piwkowski, Marek Pampuch, Michał Rudolf, Kaz, Piotr Puldzian Płucienniczak, Leszek Onak and Andrzej Głowacki.
A part of the ELO 2015 exhibition “Decentering: Global Electronic Literature” at 3,14 gallery in Bergen, Norway (August 4-23, 2015).
(Source: Álvaro Seiça and Piotr Marecki)
Alvaro Seica - 04.09.2015 - 22:29
