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  1. Topologia digital da página impressa no Arquivo Digital da PO.EX

    Este artigo categoriza as estratégias de recodificação digital presentes no "Arquivo Digital da PO.EX" e analisa a reflexividade intermedial da escrita, da imagem e do código em textos visuais de Ana Hatherly, E. M. de Melo e Castro e José-Alberto Marques. A recodificação digital permite apreender a complexa topologia da página impressa como articuladora dos sinais escritos na produção de sentido.

    (abstract repository)

    Hannah Ackermans - 07.12.2018 - 10:56

  2. The Biopolitics of Electronic Literature: On the Writings of Mez Breeze

    The Biopolitics of Electronic Literature: On the Writings of Mez Breeze

    Gesa Blume - 26.08.2019 - 23:26

  3. Having Your Story and Eating It Too: Affect and Narrative in Recombinant Fiction

    “Recombinant poetics”, a term coined by artist/scholar Bill Seaman, refers to a techo-poetic practice in which the display and juxtaposition of semantic elements are generated by computer algorithms, rather than through an author’s predetermined composition. Although inspired by traditions of combinatorial literature and the use of constraints to generate narrative or poetic forms, recombinant works of art produce variable “fields of meaning” (Seaman/Ascott) for the user. Recombinant authors program discrete semantic elements, media stored in arrays or databases, to display through random, semi-random or variable processes, often in conjunction with user-interaction. Examples of recombinant poetics in works of digital poetry and art are abundant. Digital narratives that foreground recombinant processes are less common, because they tend to dismantle or dissolve themselves as sequential narrative in favor of more non-linear, emergent meanings.

    David Wright - 28.08.2019 - 03:05

  4. Introduction (What (in the World) Was Postmodernism)

    Introduction (What (in the World) Was Postmodernism)

    Yvanne Michéle Louise Kerignard - 17.09.2019 - 14:41

  5. “The End”

    “The End”

    Yvanne Michéle Louise Kerignard - 17.09.2019 - 15:36

  6. Tom LeClair reviews Amy Hungerford, Making American Literature Now (Fictions Present)

    Tom LeClair reviews Amy Hungerford, Making American Literature Now (Fictions Present)

    Trygve Thorsheim - 17.09.2019 - 15:54

  7. Nominalisms Ancient and Modern: Samuel Beckett, the Pre/Post/Modernist?

    Nominalisms Ancient and Modern: Samuel Beckett, the Pre/Post/Modernist?

    Yvanne Michéle Louise Kerignard - 24.09.2019 - 14:51

  8. “Not Going Where I Was Knowing”: Time and Direction in the Postmodernism of Gertrude Stein and Caroline Bergvall

    “Not Going Where I Was Knowing”: Time and Direction in the Postmodernism of Gertrude Stein and Caroline Bergvall

    Yvanne Michéle Louise Kerignard - 24.09.2019 - 14:58

  9. From Master(y) Narratives to Matter Narratives: Jeanette Winterson’s The Stone Gods

    From Master(y) Narratives to Matter Narratives: Jeanette Winterson’s The Stone Gods

    Yvanne Michéle Louise Kerignard - 24.09.2019 - 15:00

  10. What is Metamodernism and Why Bother? Meditations on Metamodernism as a Period Term and as a Mode

    What is Metamodernism and Why Bother? Meditations on Metamodernism as a Period Term and as a Mode

    Yvanne Michéle Louise Kerignard - 24.09.2019 - 15:01

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