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ÉLA: Études de Linguistique Appliquee
ÉLA: Études de Linguistique Appliquee
Eric Dean Rasmussen - 04.07.2011 - 10:27
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Jan van Looy
Jan van Looy
Eric Dean Rasmussen - 05.07.2011 - 13:16
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Leuven University Press
Leuven University Press
Eric Dean Rasmussen - 05.07.2011 - 13:17
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Rafael Lozano-Hemmer
Rafael Lozano-Hemmer was born in Mexico City in 1967. In 1989 he received a B.Sc. in Physical Chemistry from Concordia University in Montréal, Canada.
Electronic artist, develops interactive installations that are at the intersection of architecture and performance art. His main interest is in creating platforms for public participation, by perverting technologies such as robotics, computerized surveillance or telematic networks. Inspired by phantasmagoria, carnival and animatronics, his light and shadow works are “antimonuments for alien agency”.
His work has been commissioned for events such as the Millennium Celebrations in Mexico City (1999), the Cultural Capital of Europe in Rotterdam (2001), the UN World Summit of Cities in Lyon (2003), the opening of the YCAM Center in Japan (2003), the Expansion of the European Union in Dublin (2004), the memorial for the Tlatelolco Student Massacre in Mexico City (2008), the 50th Anniversary of the Guggenheim Museum in New York (2009) and the Winter Olympics in Vancouver (2010).
Eric Dean Rasmussen - 05.07.2011 - 14:50
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Jean-François Lyotard
Jean-François Lyotard
Eric Dean Rasmussen - 06.07.2011 - 17:23
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John Barth
John Barth
Eric Dean Rasmussen - 07.07.2011 - 16:28
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Natalie Binczek
Natalie Binczek
Jörgen Schäfer - 08.07.2011 - 10:35
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Camera Obscura
Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers into the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream. Camera Obscura continues to redefine its original statement of purpose. While remaining faithful to its feminist focus, the journal also explores feminist work in relation to race studies, postcolonial studies, and queer studies. (Source: Duke University Press).
Eric Dean Rasmussen - 08.07.2011 - 10:57
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Sadie Plant
Sadie Plant
Eric Dean Rasmussen - 08.07.2011 - 11:12
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Doubleday
Doubleday
Eric Dean Rasmussen - 08.07.2011 - 11:30