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1. Patchwork Girl

   Alternative Title: Patchwork girl, or, A modern monster by Mary/Shelley, & herself: a graveyard, a journal, a quilt, a story & broken accents

   Publisher's blurb:

   What if Mary Shelley's Frankenstein were true?

   What if Mary Shelley herself made the monster -- not the fictional Dr. Frankenstein?

   And what if the monster was a woman, and fell in love with Mary Shelley, and travelled to America?

   This is their story.

   (Source: Eastgate website)

   A retelling of the Frankenstein story where a female monster is completed by Mary Shelley herself.

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   Electronic Literature Directory entry:

   Alternative Title: Patchwork girl, or, A modern monster by Mary/Shelley, & herself: a graveyard, a journal, a quilt, a story & broken accents

   Shelley Jackson’s Patchwork Girl was created in Storyspace, is distributed by Eastgate Systems, Inc., and ranks among the most widely read, discussed, and taught works of early hyperfiction.

   Jill Walker Rettberg - 05.01.2011 - 12:59

2. Takei, George

   "Takei, George" is a remix of Nick Montfort's "Taroko Gorge," transforming Montfort's original meditative generative poem into a comment on pop culture, fandom, and contemporary politics.

   (Source: The ELO 2012 Media Art Show)

   Meri Alexandra Raita - 19.02.2012 - 18:14

3. Digital Prohibition Piracy and Authorship in New Media Art

   The act of creation requires us to remix existing cultural content and yet recent sweeping changes to copyright laws have criminalized the creative act as a violation of corporate rights in a commodified world. Copyright was originally designed to protect publishers, not authors, and has now gained a stranglehold on our ability to transport, read, write, teach and publish digital materials.

   Contrasting Western models with issues of piracy as practiced in Asia, Digital Prohibition explores the concept of authorship as a capitalist institution and posits the Marxist idea of the multitude (à la Antonio Negri and Michael Hardt, and Paulo Virno) as a new collaborative model for creation in the digital age. Looking at how digital culture has transformed unitary authorship from its book-bound parameters into a collective and dispersed endeavor, Dr. Guertin examines process-based forms as diverse as blogs, Facebook, Twitter, performance art, immersive environments, smart mobs, hacktivism, tactical media, machinima, generative computer games (like Spore and The Sims) and augmented reality.

   (Source: Continuum online catalog)

   Eric Dean Rasmussen - 28.03.2012 - 09:48

4. Argot, Ogre, OK!

   All of the prior remixes of Nick Montfort's _Taroko Gorge_ rewrote the text, while leaving Nick's code unchanged or almost so. I thought that was a shame. I also thought it was an opportunity! Since they all essentially consisted of word-lists plugged into a schema, I was able to remix them together on two axes at the same time:

   * Combining the word-lists of any two poems;
   * Mutating the stanza schema.

   I also took the opportunity to randomize the color schemes of the pages. (But not the font choices or the background imagery that some of the poems indulged in. Optima for everybody, I'm afraid.)

   Nick's original poem generates a constant ABBA-C pattern, with some extra B's thrown in. This page essentially invents a new pattern (for example A-, or BC-BA, or CCC, or so on) for each block. The code for the pattern is on the left, and the generated output is on the right.

   To answer the obvious question: Yes, this page really does execute the code that's displayed in the left column, and it really does generate the text in the right column.

   Scott Rettberg - 24.06.2012 - 15:09