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1. Re-construyendo la novela para un nuevo milenio. Postestructuralismo, discurso, lectura, autoría e hipertextualidad ante los nuevos caminos de la novela

   El postestructuralismo como conjunto de ideas teóricas de pensamiento ha forjado algunas creaciones novelísticas a lo largo de los últimos cuarenta años de tal forma que la novela en su conjunto, si bien paso a paso, está modificando su anterior estructura lineal, aunque el cambio no se haya generalizado aún, salvo en la literatura hipertextual propiamente dicha, gracias a la difusión y experimentación de las nuevas tecnologías. Me gustaría repasar la importancia que algunos de los principios del postestructuralismo han tenido sobre la estructura de tres novelas diferentes de autores, países, literaturas y décadas distintas, como ejemplos clave de una evolución.

   Maya Zalbidea - 03.08.2014 - 13:55

2. How to Do Word with Things

   One of a series of eco-critical reviews, Stephen Dougherty explores
   the new ways that “matter is made to matter” in Ira Livingston’s
   writing on science and literature. The payoff of an ecocriticism
   grounded in the materiality of language itself, can bee seen by the
   strong political positioning toward the end of Dougherty’s essay.

   (source: http://electronicbookreview.com/thread/criticalecologies/fractal)

   Malene Fonnes - 16.10.2017 - 10:25

3. On Being Difficult

   Ken Hirschkop questions whether poststructuralism and
   self-referentiality offer workable alternatives to the military ‘World
   Target’ that, according to Rey Chow, provides the framework for
   knowledge production in Departments of Comparative Literary Studies.

   (source: http://electronicbookreview.com/thread/criticalecologies/transitive)

   Malene Fonnes - 16.10.2017 - 10:28

4. How to Avoid Being Paranoid

   Melissa Gregg reviews Eve Sedgwick’s Touching Feeling

   Glenn Solvang - 07.11.2017 - 12:50

5. Further Notes From the Prison-House of Language

   Linda Brigham works through Embodying Technesis by Mark Hansen.

   Glenn Solvang - 09.11.2017 - 13:45

6. Hollywood Nomadology?

   Linda Brigham offers a Deleuzean take on Independence Day.

   Glenn Solvang - 09.11.2017 - 13:59

7. Electronic Literature and the Effects of Cyberspace on the Body

   In their article "Electronic Literature and the Effects of Cyberspace on the Body" Maya Zalbidea and Xiana Sotelo discuss how new technologies are facilitating the emancipation of subjugat- ed subjects aimed at transforming unequal social relations through an intersectional and performative approach. This perspective is discussed through the exploration of the so-called intersectional ap- proach described by Berger and Guidroz, Haraway's situated knowledges, and Butler's performative agency based on transgressions. Framed within the posthuman, post-biological deconstruction of so- cial and cultural hierarchies, Zalbidea and Sotelo argue for the value of a conjuncture between post- colonial post-modern/post-structuralist literature and the field of feminist cultural studies. Based on previous theories of gender and bodies in cyberspace, Zalbidea and Sotelo develop ideas about bodies, gender, and anxieties, and how these theories may be illustrated metaphorically in electronic literature and new media art works.

   Torkjell Fosse - 17.09.2020 - 15:07

8. Reconstructing the deconstructed: hypertext and literary education

   From the author:

   Mathias Vetti Olaussen - 27.09.2021 - 16:15

9. Hypertext Theory

   In this text, Astrid Ensslin writes about hypertext through a medium-nonspecific sense and a more modern medium-specific meaning. She writes about what hypertext theory relates to and what its characterizations are, explaining how hypertext allows the users to interact through the use of textual and/or multimodal components. She also writes about when hypertext theory first emerged, how its been changing since the late 1980's and how its been establishing the field of hypertext criticsm and related areas surrounding digital fiction and poetry research.

    

   Vegard Aarøen Frislid - 02.10.2021 - 04:01

10. A 2020 Computer-Generated Text as a Posthuman Mode of Literature Production

    A central idea of posthumanism in a technological society is the actual transition of the human towards a post-human entity, the cyborg. This entanglement between humanity and technology can not only be found in – actual and fictional – cyborgs, but also in computer-generated textproduction. Through the close collaboration between human creativity and artificial intelligence, algorithmically facilitated writing is emerging as anart form that is proving promising for literary analysis in a posthuman context. This article will examine computer-generated fiction as a new,posthuman mode of text production and use poststructuralist and related theory – mainly Roland Barthes, Michel Foucault, and Susan Sontag – toexplore the implications that such forms hold for the roles of authors, readers, and that of literary critics and scholars.

    Jill Walker Rettberg - 24.05.2022 - 21:21