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1. The Bloomsbury Handbook of Electronic Literature

   The digital age has had a profound impact on literary culture, with new technologies opening up opportunities for new forms of literary art from hyperfiction to multi-media poetry and narrative-driven games. Bringing together leading scholars and artists from across the world, The Bloomsbury Handbook of Electronic Literature is the first authoritative reference handbook to the field.

   Crossing disciplinary boundaries, this book explores the foundational theories of the field, contemporary artistic practices, debates and controversies surrounding such key concepts as canonicity, world systems, narrative and the digital humanities, and historical developments and new media contexts of contemporary electronic literature. Including guides to major publications in the field, The Bloomsbury Handbook of Electronic Literature is an essential resource for scholars of contemporary culture in the digital era.

   (Source: Publisher's description)

   Alvaro Seica - 09.02.2018 - 12:33

2. Labs for the Digital Humanities

   A presentation by Piotr Marecki of UBU lab at Jagellionian University, and a discussion of different lab models for e-lit and digital culture.

   Scott Rettberg - 01.05.2018 - 23:38

3. #Postweb! Crear con la máquina y en la red

   #Postweb! Crear con la máquina y en la red

   Alex Saum - 05.06.2018 - 22:34

4. Janky Materiality: Artifice and Interface

   In this paper I explore blurry intersections and cracked interfaces between page, screen and speaker, analog and digital practice. With reference to the work of Judd Morrissey and Mark Jeffery, Talan Memmott, Claire Donato, Shelley Jackson, Ian Hatcher, Brian Eno, Rob Wittig, Rachel Zolf, bpNichol, David Jhave Johnston, Young-Hae Chang Heavy Industries, Erín Moure, Douglas Kearney, Tan Lin, and others, I think about the ways digital material practice extends the post-structural field, as page-based practices are (further) destabilized by computer-based experiments. These writers treat language itself as a janky technology that works (at least temporarily) through its own failures, so that digital mediation serves to further break and rewire language operations. The “speaker” component of my research refers both to experiments with decentered (if not quite dematerialized) poetic voice, and the sonics of actual voices and other digitally mediated and manipulated sounds. 

   Akvile Sinkeviciute - 03.10.2018 - 15:49