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De la croissante invisibilité des poésies numériques en ligne dans la zone française
Au milieu des années 90 le développement du web a suscité beaucoup d'espérance de la part des poètes expérimentaux, qu'ils y voient la possibilité d'une diffusion de leurs travaux ou qu'ils envisagent des formes créatives nouvelles tirant parti des spécificités du réseau; en 97-98 était publié un numéro spécial de la revue DOC(K)S consacré au web: "un notre web", complété par un CD contenant des oeuvres numériques trouvées en ligne. Il s'agit aujourd'hui de faire le point et sur les auteurs présents dans ce numéro, sur les sites qu'ils animaient alors, sur les transformations intervenues, et surtout sur l'enthousiasme utopique de ces années en se demandant quelle place, dans la zone française, occupent aujourd'hui les poésies numériques en ligne. Au final, l'enquête conduite, sur la base d'une recherche systématique, manifeste le peu de visibilité de ces travaux et tente d'en analyser les causes.
(Source: Author's abstract from ELO 2013)
Arngeir Enåsen - 14.10.2013 - 13:57
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Visuality and Material Expressiveness in the Portuguese Experimental Poetry
Visuality and Material Expressiveness in the Portuguese Experimental Poetry
Rui Torres - 03.12.2013 - 23:37
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'Electrònicolírica' by Herberto Helder and PO.EX Combinatorics
Herberto Helder died. Helder is one of the most consistent and innovative Portuguese poets of the second half of the 20th century. Even if his later œuvre has been marked by a traditional experimentalist reworking of crafted language, whose poiesis engages with a very idiosyncratic vocabulary, one should not forget Helder’s eclectic trajectory. Having been influenced by, among other movements, Surrealism and international avant-garde experimentalism, Herberto Helder was, firstly together with António Aragão (1964), and secondly with Aragão and E. M. de Melo e Castro (1966), the editor of two important anthologies or cadernos (chapbooks), Poesia Experimental 1 [Experimental Poetry 1] and Poesia Experimental 2 [Experimental Poetry 2]. Both these anthologies opened up most of the major pathways of literary and artistic experimentalism in the 1960s, from which the PO.EX (Experimental POetry) movement emerged.
Alvaro Seica - 08.04.2015 - 19:53
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«Electrònicolírica» de Herberto Helder e Combinatória PO.EX
Herberto Helder morreu. Helder é um dos poetas portugueses mais consistentes e inovadores da segunda metade do século vinte. Ainda que a sua obra mais recente tenha sido marcada por um trabalho de reformulação da linguagem que podemos considerar como um experimentalismo tradicionalista, cuja poiesis se empenha e se alicerça num vocabulário idiossincrático, não podemos esquecer a trajectória ecléctica de Helder. Tendo sido influenciado, entre outros, pelo surrealismo e pelo experimentalismo vanguardista internacional, Herberto Helder foi, primeiro com António Aragão (1964), e depois com Aragão e E. M. de Melo e Castro (1966), editor de dois importantes cadernos antológicos, Poesia Experimental 1e Poesia Experimental 2. Os cadernos desencadearam a maior parte dos principais caminhos do experimentalismo literário e artístico dos anos 1960, a partir dos quais o movimento da PO.EX (POesia.EXperimental) emergiu.
Alvaro Seica - 08.04.2015 - 20:04
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Performance Art, Experimental Poetry and Electronic Literature in Portugal: An Intermedial Archive to an Intermedial Practice of Language
Considering electronic literature from a temporal perspective calls for a redefinition of our classical notions of time. It is impossible to anticipate its end because electronic literature appears as dynamic, and cyclic. Therefore, in order to think this ever-present artistic manifestation in its radical meanings and in a futuristic perspective, it is useful to know its past.
In Portugal, electronic literature, experimental poetry, and performance art share and explore the same performative concept of language, re-examining fundamental literary notions such as author, space, time, audience, medium, mediation and materiality. In this paper, we will present an intermedial archive to illustrate an intermedial field of practice.
This paper is thus based on current research on the history of Portuguese performance art. After framing and pointing out the close relationship between experimental poetry, performance art, and electronic literature in Portugal, we will present a timeline of Portuguese performance art (1915-1990), which will soon be available in the Digital Archive of Portuguese Experimental Literature (www.po-ex.net).
Hannah Ackermans - 16.11.2015 - 11:20
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Optische Poesie: Von den prähistorischen Schriftzeichen bis zu den digitalen Experimenten der Gegenwart
Klaus Peter Dencker, visual poet, Germanist and media theorist, documents the spectrum of forms of optical poetry from its pre-historic beginnings up to the present digital age. The compendium provides a typology of optical poetry, an international historical overview with many illustrations and several chronological tables together with indexes of subjects and names providing access to the comprehensive apparatus of notes. (Source: https://www.degruyter.com/view/product/176646)
Alvaro Seica - 10.02.2017 - 12:41
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P(r)o(bl)emas @ telePoesis > Práticas e Processos na Programação de Poesia
A talk-performance delivered at the University of Coimbra on Torres's praxis. The talk was scripted with a constraint with the letter P. Bruno Ministro assisted by changing 'slides.'
Alvaro Seica - 31.03.2017 - 11:31
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Crowdsourcing and literature: A report from the project “Wiersze za sto dolarów”
The text is set within the poetics of a technical report, used to communicate the final results of projects in the digital media field. Its subject is the poetry collection of my authorship, Wiersze za sto dolarów (One-Hundred-Dollar Poems), written in Polish in 2017 using the crowdsourcing tool Amazon Mechanical Turk (AMT). The project is discussed in the context of other literary works created with AMT, among others On the Subcontract by Nick Thurston. The paper discusses the features of the literary work created by the Mechanical Turks, the phenomenon of Decentring Digital Media and questions of authorship, art project appraisal,
and creation as paid work.Piotr Marecki - 27.04.2018 - 15:08
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From Dada to Digital: Experimental Poetry in the Media Age
At least since Mallarme, if not before, poets in the Western tradition have responded to changes in media technologies by reflecting on their own relationship to language, and by reassessing the limits and possibilities of poetry. In the German- speaking world, this tendency has been pronounced in a number of experimental movements: Dada, particularly in Zurich and Berlin between 1916 and 1921; Concrete poetry, especially its Swiss and German variants in the 1950s and '60s; and finally, digital or electronic poetry, a genre that is still developing all around the world, but has roots in Germany dating back to the late 1950s. For each of these movements, the increasing dominance of new media technologies contributes to an understanding of language as something material, quantifiable, and external to its human users, and casts doubt on the function of language as a means of subjective expression, particularly in the context of poetry.
Patricia Tomaszek - 07.08.2018 - 14:27
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Electronic Literature as Paratextual Construction
The following discussion aims to reflect on how electronic literature and affiliated or related fields describe themselves paratextually. I will argue that the social construction of ‘electronic literature’ is dominated by its systemic self-description. The paratextual construction basically works with the ascription of the genre name ‘electronic literature’ and discursive descriptions or reflections to phenomena of artistic practice and has been institutionalized in no small part by the Electronic Literature Organization. The argument is developed by observing paratextual practices in founding narratives, archives and collections related to the ELO. This perspective is contextualized by looking at self-descriptions in the pre-history of e-lit within the artistic program of poietic experimentation.
David Wright - 28.08.2019 - 03:11
