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Cybertekst: Metodologia i interpretacja
Fragments from a dissertation written under the guidance of of prof. P M. Markowski and defended at the Jagiellonian University 17 March 2010. Section "Cybertekst, ie, the text-machine."
Jill Walker Rettberg - 25.02.2011 - 12:28
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Transdução: Processos de Transferência na Literatura e Arte Digitais
Electronic Literature and Digital Art share many processes, themes, creative and theoretical guidelines. In this sense, I developed a critical framework that could resist to a hyperdisciplinary analysis and include one of the characteristics of this sharing pattern: the transfer and transformation processes. In order to recognize these processes I have done an approach of the transduction concept that could perform a theoretical migration on these aspects: the transducer function. Thus, the transducer function appears in the critical analysis of the works by Mark Z. Danielewski, Stuart Moulthrop, R. Luke DuBois and André Sier. The selected works are representative of the following genres: novel, hyperfiction, net.art and digital installation, drawing on phenomena and concerns resulting from the creative production within the digital culture. In this research I have enhanced mechanisms, patterns, languages and common grounds: authorship, user, cybertext, surface, hypertext, infoduct, interactivity, pixel, algorithm, code, programming, network, software and data. (Source: Author's abstract)
Alvaro Seica - 15.08.2013 - 15:59
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From (w)reader to breather: Cybertextual de-intentionalisation in Kate Pullinger et al.’s Breathing Wall
The aim of this paper is to investigate and exemplify a recent phenomenon in the practice of digital narrative, which engages creatively with the interplay between intentionality and corporeality in the reading process. Drawing on Espen Aarseth's (1997) alternative communication model, I introduce the concept of 'cybertextual retro-intentionalisation'. This concept refers to a hitherto unforeseen kind of transmedial and multimodal 'reading' that is governed by corporeal processes operating in competition with mental forces.
(Source: summary from researchgate.net)
Caroline Tranberg - 28.09.2021 - 01:04
