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1. Hypertext Fiction in the Twilight Zone

   The first hypertext fictions were written in the early eighties, and the first commercially distributed hypertext fiction was Michael Joyce's Afternoon. A Story. It was published by Eastgate Systems in 1987 - slightly over a decade ago. I would like to take a look at hypertext fiction, its history and present, and try to make some predictions of its future.

   Jill Walker Rettberg - 13.01.2011 - 00:00

2. False Pretenses, Parasites, and Monsters

   A meditation on parasites and montrosity in American novels and hypertext fictions.

   Eric Dean Rasmussen - 15.03.2011 - 15:57

3. "I Am a Double Agent": Shelley Jackson's Patchwork Girl and the Persistence of Print in the Age of Hypertext

   "I Am a Double Agent": Shelley Jackson's Patchwork Girl and the Persistence of Print in the Age of Hypertext

   Eric Dean Rasmussen - 24.06.2011 - 16:17

4. Tending the Garden Plot: Victory Garden and Operation Enduring....

   A reading of Moulthrop's Victory Garden seen primarily as a war narrative, in the light of the contemporary (to the article) war on Iraq.

   Jill Walker Rettberg - 15.10.2011 - 21:26

5. Analyzing Digital Fiction

   Analyzing Digital Fiction offers a collection of pioneering analyses based on replicable methodological frameworks. It offers analyses of digital works that have so far received little or no analytical attention and profiles replicable methodologies which can be used in the analyses of other digital fictions. Chapters include analyses of hypertext fiction, Flash fiction, Twitter fiction and videogames with approaches taken from narratology, stylistics, semiotics and ludology. Essays propose ways in which digital environments can expand, challenge and test the limits of literary theories which have, until recently, predominantly been based on models and analyses of print texts.

   Chapters:

   1.Introduction: From Theorizing to Analyzing Digital Fiction Alice Bell, Astrid Ensslin and Hans Kristian Rustad

   Section 1: Narratological Approaches

   2. Media-Specific Metalepsis in 10:01 Alice Bell

   3.Digital Fiction and Worlds of Perspective David Ciccoricco

   4. Seeing into the Worlds of Digital Fiction Daniel Punday

   Section 2: Social Media and Ludological Approaches

   Alice Bell - 06.05.2014 - 12:45

6. Judy Malloy’s Seat at the (Database) Table: a Feminist Reception History

   A feminist examination of the reasons why Judy Malloy's work Uncle Roger is rarely recognized as the first work of hypertext fiction, although it obviously predates Michael Joyce's afternoon.

   Jill Walker Rettberg - 26.10.2014 - 05:33

7. (Electronic) Literature and the (Post)human Condition

   Electronic literature exists in a perpetual state of flux, due to its reliance on digital technology; with the rapid progression of processing power and graphical abilities, electronic literature swiftly moved from a reliance on the written word into a more diverse, multi-modal form of digital arts practice. The literariness of early electronic literature is manifest: the work was primarily textual, the centrality of reading paramount. The current crop of electronic literature--with its audio-visual, multimodal nature--calls into question the literariness of this work, however, as is evidenced by this year's call for papers. I propose that this ambiguity as regards literariness and written textuality in electronic literature disadvantages the field, in both academic circles and in the search for a wider reading audience. If electronic literature as field is to assert and validate its position within the greater literary tradition, links between electronic literature and past literary achievements need to be uncovered and illuminated.

   Daniela Ørvik - 19.02.2015 - 15:49