Search

The search found 6 results in 0.203 seconds.

Search results

1. Ler Clarice Lispector, re-escrevendo Amor

   Ler Clarice Lispector, re-escrevendo Amor

   Rui Torres - 25.11.2011 - 23:51

2. Dressage #7

   Claude Maillard and Tibor Papp’s “Dressage no. 7” is glaring example of anthropophagic inflection in early digital poetry. The authors, continuing to use the same language and themes established in previous editions of Alire, cast familiar words and phrases amidst a wider span of new visual contexts. Alternating graphical pages, verbal pages, and pages that incorporate both propel the narrative. Works in Maillard and Papp’s “Dressage” series address the diminishing status of civil liberties in general, inscribing their views in a new media format that revives the aesthetics of an earlier era with new purpose.

   (Source: Chris Funkhouser "Le(s) Mange Texte(s): Creative Cannibalism and Digital Poetry")

   Scott Rettberg - 31.01.2013 - 19:33

3. New Strategies of Anthropophagy in Brazilian/Portuguese Digital Literature

   This article intends to discuss an example of contemporary digital literary creation, based on anthropophagy as a cultural mechanism. Oswald de Andrade, one of the leaders of Brazilian modernism, published his Anthropophagic Manifesto in 1928, where he argued that “what is not mine interests me”. In fact, translated into our contemporary culture, this Manifesto could explain some issues of Brazil’s intellectual and cultural environment: the “only what is not mine interests me” could be complementarily read as “what is mine does not interest me”; the anthropophagus would disdain that which is his own and ceaselessly search for the references to the Other. That attitude would be important to understand not only cultural processes, but it could also describe some strategies of contemporary digital literary creations, as Amor de Clarice, created by the Portuguese artist and intellectual Rui Torrres.

   (Source: Author's Abstract)

   Alvaro Seica - 29.11.2013 - 11:21

4. Poéticas Intermédia: As Interfaces do Amor

   A coletânea reúne textos cujo objetivo é contribuir para a redução das lacunas existentes no universo dos estudos sobre fatos literários atuais, no que se refere à contemporaneidade no Brasil, à literatura e a narrativa de ficção.

   (Fonte: Resumo do Livro. http://www.pucgoias.edu.br/ucg/editora/site/popup.asp?cod=978-85-7103-733)

   Alvaro Seica - 02.12.2013 - 14:50

5. Portuguese Experimental Poetry: Revisited and Recreated

   Portuguese Experimental Poetry, claiming to be an avant-garde movement, arose in Lisbon in the mid 60’s. It got its name from the title of a magazine, Cadernos de Poesia Experimental, which became the herald of the movement. Two issues were published, the first in 1964 and the second in 1966, organized by António Aragão and Herberto Hélder. The first issue was presented as anthological, since it included texts not only of Portuguese poets and musicians but also Brazilian, French, Italian and English artists. It also had a section which included poets of several epochs and tendencies, such as Luis de Camões or Quirinus Kuhlmann, representing respectively the mannerist and baroque aesthetics of European poetry.

   (Source: Author's Introduction)

   Alvaro Seica - 02.12.2013 - 15:14

6. They Have Large Eyes and Can See In All Directions

   They Have Large Eyes and Can See In All Directions is a reinterpretation of texts mixed with extracts from books on psychometry written by William Denton and diaries written by his sons concerning their experiences in Melbourne in August 1882.

   Sherman and Shelley went collecting skins in Panton Hill and Pheasant Creek while William remained in the city to speak at Spiritualist meetings.

   (Source: https://thecodeofthings.com/poems/they-have-large-eyes)

   Alvaro Seica - 08.04.2017 - 20:48