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1. Poesia luso-brasileira contemporânea: do verbo ao pixel

   This article intends to reflect upon the place of poetry in the teaching of literature and the formation of the reader, considering the recurrent metaphors and images in the interfaces of the
   discourse of the hypermedia, among the languages provided by the Technology of Information and Communication (TIC) in contemporary society. It aims to demonstrate the possible experiences of reading and aesthetic appreciation which offers to the user/reader for the exercise of creativity and autonomy in the construction of collective intelligence. In order to do so, it focuses on the production of the Luso-Brazilian literature in hypermedia with emphasis on the remarkable presence of the Portuguese experimental poetry in the construction of digital poetry and the Brazilian cyberliterature in present time.

   (Source: Author's Abstract)

   Rui Torres - 04.12.2011 - 17:52

2. Flash Script Poex: A Recodificação Digital do Poema Experimental

   In this article I analyze digital re-readings of experimental poems contained in the digital archive
   PO-EX: Poesia Experimental Portuguesa - Cadernos e Catálogos [PO-EX: Experimental Portuguese Poetry - Chapbooks and Catalogues]. This project was developed by the Center for the Study of Informatic Text and Cyberliterature (CETIC) at Fernando Pessoa University (Porto, Portugal). I consider how experimental poetics is applied and transformed in the processes of electronic remediation of visual and concrete texts by E. M. de Melo e Castro, Herberto Helder, José-Alberto Marques, Salette Tavares and António Aragão. While digital recreations redefine the source texts by means of specific programming codes, they also reveal the complex linguistic and graphical coding of the printed page.

   (Source: Author's Abstract)

   Alvaro Seica - 29.11.2013 - 10:54

3. Concrete and Digital Poetics

   I argue that there is an intrinsic connection between concrete poetics as a theory of the medium (i.e., of language, of written language, and of poetical forms) and digital poetics as a theory of poetry for the digital medium. This link is clearly seen in the use of concrete poems as storyboards and scripts for electronic texts, both in composing text for graphic interface static display and for animation. This essay deals with the adoption of electronic media by concrete poets, with examples from the work of Brazilian poet Augusto de Campos (1931-), and Portuguese poets E.M. de Melo e Castro (1932-) and Tiago Gomez Rodrigues (1972-).

   (Source: Author's Abstract)

   Alvaro Seica - 05.12.2013 - 16:09