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  1. Voice of the poet programmer Jörg Piringer

    Voice of the poet programmer Jörg Piringer

    J. R. Carpenter - 25.11.2011 - 13:30

  2. Poesia luso-brasileira contemporânea: do verbo ao pixel

    This article intends to reflect upon the place of poetry in the teaching of literature and the formation of the reader, considering the recurrent metaphors and images in the interfaces of the
    discourse of the hypermedia, among the languages provided by the Technology of Information and Communication (TIC) in contemporary society. It aims to demonstrate the possible experiences of reading and aesthetic appreciation which offers to the user/reader for the exercise of creativity and autonomy in the construction of collective intelligence. In order to do so, it focuses on the production of the Luso-Brazilian literature in hypermedia with emphasis on the remarkable presence of the Portuguese experimental poetry in the construction of digital poetry and the Brazilian cyberliterature in present time.

    (Source: Author's Abstract)

    Rui Torres - 04.12.2011 - 17:52

  3. New Directions in Digital Poetry

    As poets continue to use digital media technology, functionalities of computing extend aesthetic possibilities in documents focusing attention on crafting verbal content. Utility of these machines and tools enables multiple types of compounded articulation (combinations of verbal, visual, animated, and interactive elements). Building larger public awareness of the mechanics of digital poetry, New Directions in Digital Poetry aspires to influence the formation of writing with media in literary society of the future, specifically as a record of a particular technological era.

    Scott Rettberg - 24.01.2012 - 13:52

  4. Flash Script Poex: A Recodificação Digital do Poema Experimental

    In this article I analyze digital re-readings of experimental poems contained in the digital archive
    PO-EX: Poesia Experimental Portuguesa - Cadernos e Catálogos [PO-EX: Experimental Portuguese Poetry - Chapbooks and Catalogues]. This project was developed by the Center for the Study of Informatic Text and Cyberliterature (CETIC) at Fernando Pessoa University (Porto, Portugal). I consider how experimental poetics is applied and transformed in the processes of electronic remediation of visual and concrete texts by E. M. de Melo e Castro, Herberto Helder, José-Alberto Marques, Salette Tavares and António Aragão. While digital recreations redefine the source texts by means of specific programming codes, they also reveal the complex linguistic and graphical coding of the printed page.

    (Source: Author's Abstract)

    Alvaro Seica - 29.11.2013 - 10:54

  5. Poesia Digital: Reflexões em Curso

    Este trabajo analiza la recepción de la poesía digital basada en la producción de Mallarmé, Apollinaire, Pound, Joyce y Cummings, con el objetivo de señalar la influencia de estos poetas en su construcción. A través del análisis de los poemas en un medio electrónico, encontramos algunos elementos de literariedades digitales, identificando algunas de sus características. Algunos poemas digitales instan al lector a una relación más interactiva, otros permiten una lectura de menos dispersión interpretativa, y hay poemas que explotan exhaustivamente los recursos del computador, y la postura del lector es la que determina la construcción del significado, independientemente de los medios de circulación de la producción.

    Alvaro Seica - 02.12.2013 - 11:52

  6. Concrete and Digital Poetics

    I argue that there is an intrinsic connection between concrete poetics as a theory of the medium (i.e., of language, of written language, and of poetical forms) and digital poetics as a theory of poetry for the digital medium. This link is clearly seen in the use of concrete poems as storyboards and scripts for electronic texts, both in composing text for graphic interface static display and for animation. This essay deals with the adoption of electronic media by concrete poets, with examples from the work of Brazilian poet Augusto de Campos (1931-), and Portuguese poets E.M. de Melo e Castro (1932-) and Tiago Gomez Rodrigues (1972-).

    (Source: Author's Abstract)

    Alvaro Seica - 05.12.2013 - 16:09

  7. The PO.EX Digital Archive of Portuguese Experimental Literature: A Review

    PO.EX (http://po-ex.net) is a digital archive of Portuguese Experimental Literature that began in 2005. This literary database is coordinated by Rui Torres, at the University Fernando Pessoa, in Oporto, Portugal, and was funded by the Fundação para a Ciência e Tecnologia [Foundation for Science and Technology] (FCT) and the European Union, under two main research projects: “CD-ROM da PO.EX: Poesia Experimental Portuguesa, Cadernos e Catálogos” [The PO.EX CD-ROM: Portuguese Experimental Poetry, Notebooks and Catalogues] (2005-2008) and “PO.EX’70-80: Arquivo Digital da Literatura Experimental Portuguesa” [PO.EX’70-80: Digital Archive of Portuguese Experimental Literature] (2010-2013).

    (Source: Author's Abstract)

    Alvaro Seica - 19.03.2014 - 12:25

  8. O PO.EX, Arquivo Digital da Literatura Experimental Portuguesa: Uma Recensão

    PO.EX (http://po-ex.net) is a digital archive of Portuguese Experimental Literature that began in 2005. This literary database is coordinated by Rui Torres, at the University Fernando Pessoa, in Oporto, Portugal, and was funded by the Fundação para a Ciência e Tecnologia [Foundation for Science and Technology] (FCT) and the European Union, under two main research projects: “CD-ROM da PO.EX: Poesia Experimental Portuguesa, Cadernos e Catálogos” [The PO.EX CD-ROM: Portuguese Experimental Poetry, Notebooks and Catalogues] (2005-2008) and “PO.EX’70-80: Arquivo Digital da Literatura Experimental Portuguesa” [PO.EX’70-80: Digital Archive of Portuguese Experimental Literature] (2010-2013).

    Alvaro Seica - 26.03.2014 - 15:00

  9. poésie dynamique

    Pour analyser la poésie sur ordinateur et la poésie sur le Web (bien que ce dernier n’étant qu’un dérivatif du premier, puisque le coeur, le fond, l’essentiel même du Web réside dans l’ordinateur) nous avons à déblayer le terrain de la route qui nous y a conduit. Il est évident que cette poésie n’a pas surgi du néant. L’approche peut se faire selon trois axes: le premier étant la poésie d’aspect classique mais combinatoire, le deuxième la poésie visuelle et le troisième la poésie
    sonore.

    Alvaro Seica - 10.09.2014 - 13:07

  10. 'Roda Lume' by E. M. de Melo e Castro

    Roda Lume is a 2’ 43’’ videopoem, which was broadcast by the Rádio Televisão Portuguesa (RTP) in 1969 and subsequently destroyed by the station itself, and was reenacted by Melo e Castro from the original storyboard in 1986. The work is indeed surprising, as a poem that overlaps text, kinetic text, image, moving image and sound, anticipating and influencing various genres of digital hypermedia poetry mainly launched after the birth of the World Wide Web. It constructs a different notion of space-time, opening a “visual time” (Melo e Castro 1993: 238) of unfolding images and text that comprises a new reading perception.

    (Source: Author's text)

    Alvaro Seica - 07.04.2015 - 17:00

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