Search

Search content of the knowledge base.

The search found 11 results in 0.013 seconds.

Search results

  1. Netpoetic

    Netpoetic is a collaborative weblog exploring digital poetry and electronic literature, including contributions from about 25 authors and critics active in the field, ranging from calls for works and announcements to reviews to pedagogical and theoretical observations. This collective activity is organized by digital poet Jason Nelson.

    Scott Rettberg - 14.04.2011 - 12:09

  2. Creativity Support for Computational Literature

    The creativity support community has a long history of providing valuable tools to artists and designers. Similarly, creative digital media practice has proven a valuable pedagogical strategy for teaching core computational ideas. Neither strain of research has focused on the domain of literary art however, instead targeting visual, and aural media almost exclusively. To address this situation, this thesis presents a software toolkit created specifically to support creativity in computational literature. Two primary hypotheses direct the bulk of the research presented: first, that it is possible to implement effective creativity support tools for literary art given current resource constraints; and second, that such tools, in addition to facilitating new forms of literary creativity, provide unique opportunities for computer science education.

    Patricia Tomaszek - 04.07.2011 - 00:40

  3. Anthological and Archaeological Approaches to Digital Media: A Review of Electronic Literature and Prehistoric Digital Poetry

    A review of two field-defining books about electronic literature by N. Katherine Hayles and Christopher Funkhouser, whose literary scholarship counters the ahistoricizing tendencies of much writing about digital media.

    (Source: Eric Dean Rasmussen)

    Eric Dean Rasmussen - 12.09.2011 - 11:19

  4. Entre Ville: This City Between Us

    Entre Ville: This City Between Us

    J. R. Carpenter - 11.10.2011 - 19:10

  5. Cibertextualidades 3

    Cibertextualidades 3

    Rui Torres - 25.11.2011 - 23:43

  6. A poesia (im)possível do século XXI

    A poesia (im)possível do século XXI

    Luciana Gattass - 10.10.2012 - 16:49

  7. 'Le Livre' e o 'Sintext:' A Simulação do Sonho de Mallarmé Através da Poética Digital de Pedro Barbosa

    O projeto de dissertação “Le Livre e o Sintext: A simulação do Sonho de Mallarmé através da Poética Digital de Pedro Barbosa" pretende evidenciar a relação existente entre duas obras distantes no tempo, porém íntimas em seus ideais poéticos. A obra inacabada de Mallarmé conhecida como Le Livre idealizada no século XIX e o sintetizador de textos em meio digital, o Sintext, projeto antológico da ciberliteratura, concebida por Pedro Barbosa e José Manuel Torres em 2001, protagonizam neste trabalho acadêmico um encontro simbólico entre a literatura e o computador, mais exatamente entre a poesia e o algoritmo .
    Apesar da grande obra de Mallarmé não ter sido concluída, acredita-se que seu poema “Um lance de dados”, uma verdadeira obra-prima reconhecida pelo caráter revolucionário na história da literatura tenha sido a experiência poética mais próxima do Livre realizada pelo poeta. Tal poema é, antes de tudo, um processo poético, no qual os versos, distantes uns dos outros e impressos com diversos estilos tipográficos sugerem uma leitura não-linear e infinita permitindo várias entradas e saídas para o leitor.

    Alvaro Seica - 28.11.2013 - 15:17

  8. Lirismo Verbal e Virtual: Travessia de Sentidos

    The investigation subject of this dissertation is the configuration of erotic verbal lyrism and erotic virtual lyrism based on reflection sonnets by Florbela Espanca (1894 – 1930) and digital verses/poems by Rui Torres (1973). The sonnets were selected from Poemas Florbela Espanca, by Florbela Espanca and organization by Maria Lúcia Dal Farra and the digital verses/poems “Amor-mundo, ou a vida, esse sonho triste” from the electronic address www.telepoesis.net, by Rui Torres. Our purpose is to analyses the lyrism produced by both authors, indicating likeness and differences that the two lyrical forms manifests. The research problem-question was: is there a fusion between erotic verbal lyrism produced by Florbela Espanca and the erotic virtual lyrism produced by Rui Torres ? Or even better, assume that Florbela’s poetry produces a erotic lyrical voice, and the Rui Torre’s poetry, a virtual lyrical voice, we can tell that Torre’s poetry dialogues with the Florbela’s eroticism ?

    Alvaro Seica - 28.11.2013 - 18:29

  9. Flash Script Poex: A Recodificação Digital do Poema Experimental

    In this article I analyze digital re-readings of experimental poems contained in the digital archive
    PO-EX: Poesia Experimental Portuguesa - Cadernos e Catálogos [PO-EX: Experimental Portuguese Poetry - Chapbooks and Catalogues]. This project was developed by the Center for the Study of Informatic Text and Cyberliterature (CETIC) at Fernando Pessoa University (Porto, Portugal). I consider how experimental poetics is applied and transformed in the processes of electronic remediation of visual and concrete texts by E. M. de Melo e Castro, Herberto Helder, José-Alberto Marques, Salette Tavares and António Aragão. While digital recreations redefine the source texts by means of specific programming codes, they also reveal the complex linguistic and graphical coding of the printed page.

    (Source: Author's Abstract)

    Alvaro Seica - 29.11.2013 - 10:54

  10. New Strategies of Anthropophagy in Brazilian/Portuguese Digital Literature

    This article intends to discuss an example of contemporary digital literary creation, based on anthropophagy as a cultural mechanism. Oswald de Andrade, one of the leaders of Brazilian modernism, published his Anthropophagic Manifesto in 1928, where he argued that “what is not mine interests me”. In fact, translated into our contemporary culture, this Manifesto could explain some issues of Brazil’s intellectual and cultural environment: the “only what is not mine interests me” could be complementarily read as “what is mine does not interest me”; the anthropophagus would disdain that which is his own and ceaselessly search for the references to the Other. That attitude would be important to understand not only cultural processes, but it could also describe some strategies of contemporary digital literary creations, as Amor de Clarice, created by the Portuguese artist and intellectual Rui Torrres.

    (Source: Author's Abstract)

    Alvaro Seica - 29.11.2013 - 11:21

Pages