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  1. Computer Poems

    "In his preface to the anthology Computer Poems (1973), Richard Bailey identifies four poetic tendencies that influenced the works included in the collection: "concrete poetry," "poetry of sound in verbal orchestrations," "imagistic poetry in the juxtaposition of the unfamiliar," and "haiku" (n.pag.). The poems in the anthology reasonably support his (somewhat) dated viewpoint, but there is a correspondence between poetry and digital poetry."
    (Source: Chris Funkhouser in Digital Poetry: A Look at Generative, Visual, and Interconnected Possibilities in its First Four Decades)

    Elisabeth Nesheim - 03.02.2012 - 15:57

  2. A Cross-Medial Close Reading of Swedish Digital Poetry

    In the work with my thesis on digital poetry I aim to highlight the following three axes

    1) A theoretical reflection considering language in interaction with the visual and auditory modalities as well as an investigation of the relation between language and technical media, using theorists such as N. Katherine Hayles and Friedrich A. Kittler.

    2) An analytical, methodical approach, which investigates digital works of poetry and their intermedial relations and effects of meaning.

    3) Putting into perspective the historical concrete poetry and avant-garde movements – primarily from Scandinavia.

    Audun Andreassen - 10.04.2013 - 13:44

  3. Poesia Digital: Reflexões em Curso

    Este trabajo analiza la recepción de la poesía digital basada en la producción de Mallarmé, Apollinaire, Pound, Joyce y Cummings, con el objetivo de señalar la influencia de estos poetas en su construcción. A través del análisis de los poemas en un medio electrónico, encontramos algunos elementos de literariedades digitales, identificando algunas de sus características. Algunos poemas digitales instan al lector a una relación más interactiva, otros permiten una lectura de menos dispersión interpretativa, y hay poemas que explotan exhaustivamente los recursos del computador, y la postura del lector es la que determina la construcción del significado, independientemente de los medios de circulación de la producción.

    Alvaro Seica - 02.12.2013 - 11:52

  4. Concrete and Digital Poetics

    I argue that there is an intrinsic connection between concrete poetics as a theory of the medium (i.e., of language, of written language, and of poetical forms) and digital poetics as a theory of poetry for the digital medium. This link is clearly seen in the use of concrete poems as storyboards and scripts for electronic texts, both in composing text for graphic interface static display and for animation. This essay deals with the adoption of electronic media by concrete poets, with examples from the work of Brazilian poet Augusto de Campos (1931-), and Portuguese poets E.M. de Melo e Castro (1932-) and Tiago Gomez Rodrigues (1972-).

    (Source: Author's Abstract)

    Alvaro Seica - 05.12.2013 - 16:09

  5. The PO.EX Digital Archive of Portuguese Experimental Literature: A Review

    PO.EX (http://po-ex.net) is a digital archive of Portuguese Experimental Literature that began in 2005. This literary database is coordinated by Rui Torres, at the University Fernando Pessoa, in Oporto, Portugal, and was funded by the Fundação para a Ciência e Tecnologia [Foundation for Science and Technology] (FCT) and the European Union, under two main research projects: “CD-ROM da PO.EX: Poesia Experimental Portuguesa, Cadernos e Catálogos” [The PO.EX CD-ROM: Portuguese Experimental Poetry, Notebooks and Catalogues] (2005-2008) and “PO.EX’70-80: Arquivo Digital da Literatura Experimental Portuguesa” [PO.EX’70-80: Digital Archive of Portuguese Experimental Literature] (2010-2013).

    (Source: Author's Abstract)

    Alvaro Seica - 19.03.2014 - 12:25

  6. O PO.EX, Arquivo Digital da Literatura Experimental Portuguesa: Uma Recensão

    PO.EX (http://po-ex.net) is a digital archive of Portuguese Experimental Literature that began in 2005. This literary database is coordinated by Rui Torres, at the University Fernando Pessoa, in Oporto, Portugal, and was funded by the Fundação para a Ciência e Tecnologia [Foundation for Science and Technology] (FCT) and the European Union, under two main research projects: “CD-ROM da PO.EX: Poesia Experimental Portuguesa, Cadernos e Catálogos” [The PO.EX CD-ROM: Portuguese Experimental Poetry, Notebooks and Catalogues] (2005-2008) and “PO.EX’70-80: Arquivo Digital da Literatura Experimental Portuguesa” [PO.EX’70-80: Digital Archive of Portuguese Experimental Literature] (2010-2013).

    Alvaro Seica - 26.03.2014 - 15:00

  7. Reading Writing Interfaces: From the Digital to the Bookbound

    In Reading Writing Interfaces, Lori Emerson examines how interfaces—from today’s multitouch devices to yesterday’s desktops, from typewriters to Emily Dickinson’s self-bound fascicle volumes—mediate between writer and text as well as between writer and reader. Following the threads of experimental writing from the present into the past, she shows how writers have long tested and transgressed technological boundaries.

    Table of Contents:

    Introduction

    Chapter 1: Indistinguishable From Magic | Invisible Interfaces and Digital Literature as Demystifier

    Chapter 2: From the Philosophy of the Open to the Ideology of the User-Friendly

    Chapter 3: Typewriter Concrete Poetry and Activist Media Poetics

    Chapter 4: The Fascicle as Process and Product

    Chapter 5: Postscript | The Googlization of Literature

    Works Cited

    Jill Walker Rettberg - 09.05.2014 - 02:11

  8. O Experimentalismo como Invenção, Transgressão e Metamorfose: A PO.EX Revisitada Através de Po-ex.net

    O experimentalismo português iniciou-se na década de 1960, com um propósito comum de conferir ao acto poético valores artísticos, políticos e sociológicos assentes numa ruptura de vanguarda. O presente ensaio situa a intervenção experimental como invenção, transgressão e metamorfose, visto que perpassa as obras dos autores de "Poesia Experimental" e, mais tarde, de um novo conjunto de autores que exploraram a poesia visual, sonora, digital e a performance. Através do arquivo Po-ex.net, que documenta e dissemina o seu estudo, traçam-se dois itinerários, revisitando algumas das obras com carácter interventivo e transformativo, desde os anos 1960 até à actualidade.

    (Fonte: Resumo dos Autores)

    Alvaro Seica - 07.11.2016 - 17:36

  9. Optische Poesie: Von den prähistorischen Schriftzeichen bis zu den digitalen Experimenten der Gegenwart

    Klaus Peter Dencker, visual poet, Germanist and media theorist, documents the spectrum of forms of optical poetry from its pre-historic beginnings up to the present digital age. The compendium provides a typology of optical poetry, an international historical overview with many illustrations and several chronological tables together with indexes of subjects and names providing access to the comprehensive apparatus of notes. (Source: https://www.degruyter.com/view/product/176646)

    Alvaro Seica - 10.02.2017 - 12:41

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