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A Companion to Digital Literary Studies
A Companion to Digital Literary Studies
Eric Dean Rasmussen - 10.03.2011 - 10:55
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Review of A Companion to Digital Literary Studies
Scott Hermanson considers the Companion's success in negotiating its own position between digital literature and print media. (Source: Electronic Book Review)
Eric Dean Rasmussen - 10.03.2011 - 12:37
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Reading Digital Literature: Surface, Data, Interaction, and Expressive Processing
Reading Digital Literature: Surface, Data, Interaction, and Expressive Processing
Eric Dean Rasmussen - 10.03.2011 - 13:58
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Intermediation: The Pursuit of a Vision
Twenty-first century literature is computational, from electronic works to print books created as digital files and printed by digital presses. To create an appropriate theoretical framework, the concept of intermediation is proposed, in which recursive feedback loops join human and digital cognizers to create emergent complexity. To illustrate, Michael Joyce's afternoon is compared and contrasted with his later Web work, Twelve Blue. Whereas afternoon has an aesthetic and interface that recall print practices, Twelve Blue takes its inspiration from the fluid exchanges of the Web. Twelve Blue instantiates intermediation by creating coherence not through linear sequences but by recursively cycling between associated images. Intermediation is further explored through Maria Mencia's digital art work and Judd Morrissey's The Jew's Daughter and its successor piece, The Error Engine, by Morrissey, Lori Talley, and Lutz Hamel.
(Source: Project MUSE abstract)
Eric Dean Rasmussen - 11.03.2011 - 10:27
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A Response to Twelve Blue by Michael Joyce
A Response to Twelve Blue by Michael Joyce
Eric Dean Rasmussen - 11.03.2011 - 11:29
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Don't Believe the Hype: Rereading Michael Joyce's Afternoon and Twelve Blue
Don't Believe the Hype: Rereading Michael Joyce's Afternoon and Twelve Blue
Eric Dean Rasmussen - 11.03.2011 - 12:40
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From Lexias to Remediation: Theories of Hypertext Authorship in the 1990s
How electronic-writing technologies will affect authorship remains an
important issue in hypertext theory. Theorists agree that the author’s function
has changed and will continue to change as writing migrates from the page to
the screen, but they disagree on the specifics of how print-based and
hypertext-based authorship differ and whether this digital migration constitutes a radical break from the age of print. Early hypertext
advocates, writing in the early 1990s, claimed that naviagational features, such
as hypertextual links, transfer a large degree of textual control from writers
to readers, thus blurring the distinction between the role of the author and
that of the reader. More recently, theorists began to dispute the idea that the
hypertextual reading experience was necessarily more creatively empowering than
reading a printed book. Exploring the arguments of influential hypertext
theorists, this paper traces developments in hypertext theory in the United
States during the 1990s. It describes how poststructuralism has informedEric Dean Rasmussen - 11.03.2011 - 12:51
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A Quick Buzz around the Universe of Electronic Poetry
An introductory essay that offers readers new to electronic poetry a brief survey of the field as it was taking shape at the beginning of the new century. The essay provides a tentative definition of e-poetry and identifies various poets writing digital poetry along with links to their works.
Eric Dean Rasmussen - 11.03.2011 - 13:03
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Stitching Together Narrative, Sexuality, Self: Shelley Jackson's Patchwork Girl
Landow, who praises Patchwork Girl as "the finest hypertext fiction thus far to have appeared," appreciates Jackson's mastery of hypertextual collage, which reveals, he suggests, how analogous techniques are at play when we conceptualize our gendered identities. (Source: Eric Dean Rasmussen)
Eric Dean Rasmussen - 11.03.2011 - 16:11
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Understanding Digital Humanities: The Computational Turn and New Technology
Understanding Digital Humanities: The Computational Turn and New Technology
David M. Berry - 12.03.2011 - 14:08