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Riviera (Chinese)
Riviera (Chinese)
Meri Alexandra Raita - 23.10.2011 - 21:16
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Orient (Korean)
Orient (Korean)
Meri Alexandra Raita - 28.10.2011 - 14:08
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Orient (Japanese)
Orient (Japanese)
Meri Alexandra Raita - 28.10.2011 - 14:11
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Telepoesis.net - Poesia em Rede
Telepoesis.net - Poesia em Rede
Rui Torres - 02.12.2011 - 14:50
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Family Tree
Family Tree
Rozalie Hirs - 14.12.2011 - 11:17
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Cambridge Scholars Publishing
Cambridge Scholars Publishing
Arnaud Regnauld - 05.03.2012 - 14:40
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FLUX RSS
Ecrit en java cet applet récupère en temps réel dans la zone française un ensemble de flux RSS liés à l'actualité politique et sociale A partir de ce matériau et en temps réel il en génère des "poèmes visuels"; chacun des résultats est en même temps téléchargé sous forme d'image sur un site local en sorte qu'une archive se constitue progressivement une archive des "nouvelles" par lesquelles nous sommes chaque jour submergés. Et que nous nous empressons d'oublier le lendemain...! C'est donc une sorte de travail à propos de la "mémoire des medias". Les mots sont traités en fonction de leur fréquence: la taille est proportionnelle à celle-ci. Bien qu'en vérité les mots les plus fréquents ne soient pas toujours les plus importants.
Philippe Castellin - 25.06.2013 - 16:55
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The Poetry Machine
The Poetry Machine
Scott Rettberg - 10.07.2013 - 13:05
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XS, S, M, L Creative Text Generators of Different Scales
Creative text generation projects of different sizes (in terms of lines of code and length
of development time) are described. “Extra-small,” “small,” “medium,” and “large”
projects are discussed as participating in the practice of creative computing differently.
Different ways in which these projects have circulated and are being used in the
community of practice are identified. While large-scale projects have clearly been
important in advancing creative text generation, the argument presented here is that
the other types of projects are also valuable and that they are undervalued (particularly
in computer science and strongly related fields) by current structures of higher
education and academic communication – structures which could be changed.(Source: Author's Abstract)
J. R. Carpenter - 21.12.2014 - 13:06
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Velo City
In Velo City typography and movement of the words connect with the messages and feelings expressed. It is a kinetic and hypertext poem, similar to El rumor de los álamos by Óscar Martín Centeno. The poem has been online since 2000 and is one of the first known poems of Spanish kinetic poetry. It follows the tradition of creationist poetry by Spanish poets like Juan Larrea and Gerardo Diego because of a new use of typography and emphasis on visual effects. Technology provides the interaction between reader and poet because of the messages that the author transmits to the reader who chooses hyperlinks and perceives the different degrees of excitation of the poet through the movements of letters as well as the directions where the poet wants to take the reader: rising (feeling joyful), falling down (descending to subconscious thoughts), choosing colored words and paths, leaving empty spaces between words (creating mystery, giving new meanings to words). (Source: Maya Zalbidea)
Maya Zalbidea - 08.01.2016 - 21:08