Search
The search found 9 results in 0.305 seconds.
Search results
-
New Philosophy for New Media
In New Philosophy for New Media, Mark Hansen defines the image in digital art in terms that go beyond the merely visual. Arguing that the "digital image" encompasses the entire process by which information is made perceivable, he places the body in a privileged position—as the agent that filters information in order to create images. By doing so, he counters prevailing notions of technological transcendence and argues for the indispensability of the human in the digital era. Hansen examines new media art and theory in light of Henri Bergson's argument that affection and memory render perception impure—that we select only those images precisely relevant to our singular form of embodiment. Hansen updates this argument for the digital age, arguing that we filter the information we receive to create images rather than simply receiving images as preexisting technical forms.
Scott Rettberg - 26.02.2011 - 15:36
-
remixthebook
A model of contemporary remixing and a groundbreaking reflection on digital media. Digital technology has transformed contemporary culture. New social media, hyperlinks, and cut-and-paste techniques have changed the way we write. E-books, which allow us to carry entire libraries with us, are bringing new browsing and reading habits. Digital editing and other on-the-fly postproduction processes have altered how we make music, films, and visual art. A key rhetorical trope employed in all aspects of digital media is the remix, the creation of innovative new works of visual, literary, and performance art through the mashup. In remixthebook, Mark Amerika explores the mashup as a defining cultural activity in the digital age. A pioneering media artist and acclaimed cultural theorist, Amerika offers a series of philosophical essays that trace the art of the remix to previous forms of avant-garde and modernist art through mashups of deftly sampled phrases and ideas from a wide range of visual artists, poets, novelists, musicians, comedians, and philosophers—among them Alfred North Whitehead, Guy Debord, William S. Burroughs, Kathy Acker, and Allen Ginsberg.
Eric Dean Rasmussen - 22.06.2011 - 11:51
-
The Ecological Thought
In this passionate, lucid, and surprising book, Timothy Morton argues that all forms of life are connected in a vast, entangling mesh. This interconnectedness penetrates all dimensions of life. No being, construct, or object can exist independently from the ecological entanglement, Morton contends, nor does “Nature” exist as an entity separate from the uglier or more synthetic elements of life. Realizing this interconnectedness is what Morton calls the ecological thought.
In three concise chapters, Morton investigates the profound philosophical, political, and aesthetic implications of the fact that all life forms are interconnected. As a work of environmental philosophy and theory, The Ecological Thought explores an emerging awareness of ecological reality in an age of global warming. Using Darwin and contemporary discoveries in life sciences as root texts, Morton describes a mesh of deeply interconnected life forms—intimate, strange, and lacking fixed identity.
Eric Dean Rasmussen - 17.01.2012 - 15:15
-
Science in Action: How to Follow Scientists and Engineers through Society
Written for a large public interested in renewing the understanding of scientific practice and its connection with the rest of society this book uses anecdotes, case studies, examples from many different periods and disciplines, to define rules of methods which can be used in following scientists around; the key role is given to non-humans, that is to associations that cut accross the former divide between nature and society. It can be used as a general introduction to science studies. (Source: http://www.bruno-latour.fr/node/130)
Alvaro Seica - 14.02.2014 - 10:45
-
The Interface Effect
Interfaces are back, or perhaps they never left. The familiar Socratic conceit from the Phaedrus, of communication as the process of writing directly on the soul of the other, has returned to center stage in today's discussions of culture and media. Indeed Western thought has long construed media as a grand choice between two kinds of interfaces. Following the optimistic path, media seamlessly interface self and other in a transparent and immediate connection. But, following the pessimistic path, media are the obstacles to direct communion, disintegrating self and other into misunderstanding and contradiction. In other words, media interfaces are either clear or complicated, either beautiful or deceptive, either already known or endlessly interpretable. Recognizing the limits of either path, Galloway charts an alternative course by considering the interface as an autonomous zone of aesthetic activity, guided by its own logic and its own ends: the interface effect. Rather than praising user-friendly interfaces that work well, or castigating those that work poorly, this book considers the unworkable nature of all interfaces, from windows and doors to screens and keyboards.
J. R. Carpenter - 24.03.2014 - 12:25
-
Knowing and Value: Toward a Constructive Postmodern Epistemology
Offers a postmodern theory of knowledge based on an ecological worldview that stresses real relations and the pervasiveness of values.
Modern thought, finally free from premodern excesses of belief, immediately fell prey to excesses of doubt. This book points toward a postmodern approach to knowing that moves beyond the tired choice between dogma and skepticism. Its key deconstructive aim is to help contemporary philosophers see that their paralyzing modern “epistemological gap” is a myth. Its positive outcome, however, reverses the identification of “postmodern” with deconstruction rather than construction, with the “end of philosophy” rather than renewal in philosophy.
Yvanne Michéle Louise Kerignard - 23.09.2019 - 22:38
-
A philosophical enquiry into the origin of our ideas of the sublime and beautiful
An eloquent and sometimes even erotic book, the Philosophical Enquiry was long dismissed as a piece of mere juvenilia. However, Burke's analysis of the relationship between emotion, beauty, and art form is now recognized as not only an important and influential work of aesthetic theory, but also one of the first major works in European literature on the Sublime, a subject that has fascinated thinkers from Kant and Coleridge to the philosophers and critics of today.
Alisa Nikolaevna Ammosova - 28.09.2021 - 23:04
-
Orality and Literacy: The Technologizing of the Word
This classic work explores the vast differences between oral and literate cultures offering a very clear account of the intellectual, literary and social effects of writing, print and electronic technology.
In the course of his study, Walter J. Ong offers fascinating insights into oral genres across the globe and through time, and examines the rise of abstract philosophical and scientific thinking. He considers the impact of orality-literacy studies not only on literary criticism and theory but on our very understanding of what it is to be a human being, conscious of self and other.
Alisa Nikolaevna Ammosova - 29.09.2021 - 13:39
-
A New Philosophy of Society: Assemblage Theory and Social Complexity
The book is an attempt to loosely define a new ontology for use by social theorists — one that challenges the existing paradigm of meaningful social analyses being possible only on the level of either individuals (micro-reductionism) or "society as a whole" (macro-reductionism). Instead, the book employs Gilled Deleuze`s and Felix Guattari's theory of assemblages from A Thousand Plateaus (1980) to posit social entities on all scales (from sub-individual to transnational) that are best analysed through their components (themselves assemblages).
According to DeLanda, following Deleuze's ideas of difference and repetition (what DeLanda calls "variable repetition"), assemblages necessarily exist in heterogeneous populations. The relationship between an assemblage and its components is complex and non-liner: assemblages are formed and affected by heterogeneous populations of lower-level assemblages, but may also act back upon these components, imposing restraints or adaptations in them.
Alisa Nikolaevna Ammosova - 29.09.2021 - 14:22
