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1. CONT3XT.NET is Everything

   CONT3XT.NET is Everything

   J. R. Carpenter - 25.11.2011 - 13:13

2. Kac, Cayley, and Kargl on Translation

   Kac, Cayley, and Kargl on Translation

   J. R. Carpenter - 25.11.2011 - 13:19

3. Voice of the poet programmer Jörg Piringer

   Voice of the poet programmer Jörg Piringer

   J. R. Carpenter - 25.11.2011 - 13:30

4. Paradoxical Print Publishers TRAUMAWIEN

   Paradoxical Print Publishers TRAUMAWIEN

   J. R. Carpenter - 25.11.2011 - 14:02

5. Collecting digital literature in Europe

   Collecting digital literature in Europe

   J. R. Carpenter - 25.11.2011 - 14:10

6. Digital Literature and the Modernist Problem

   What is the status of digital literature in contemporary culture? Many scholars and practitioners assume that digital literature constitutes a contemporary avant-garde, which does its work of experimentation outside or in opposition to the mainstream. The notion of the avant-garde might seem thoroughly out of date in a consideration of the digital future. Important theorists (e.g. Huyssen, Drucker) have argued that the avant-garde is no longer viable even for traditional media and art practices. On the other hand, the avant-gardes of twentieth-century modernism made claims about the function of art that remain surprisingly influential today – within the art community and within popular culture. As Peter Bürger and others have discussed, an important division grew up in modernism on the question of whether art should strive for formal innovation or for sociopolitical change. Avant-gardes of the twentieth century took up positions along a spectrum from pure formalism (e.g. the Abstract Expressionists) to overt political action (e.g. the Situationists).

   Maria Engberg - 27.11.2011 - 00:59

7. Writing to be Found and Writing Readers

   Poetic writing for programmable and network media seems to have been captivated by the affordances of new media and questions of whether or not and if so, how certain novel, media-constituted properties and methods of literary objects require us to reassess and reconfigure the literary itself. What if we shift our attention decidedly to practices, processes, procedures — towards ways of writing and ways of reading rather than dwelling on either textual artifacts themselves (even time-based literary objects) or the concepts underpinning objects-as-artifact? What else can we do, given that we must now write on, for, and with the net which is itself no object but a seething mass of manifold processes?

   Eric Dean Rasmussen - 01.12.2011 - 10:59

8. Collaborations in E-lit

   This essay, a discussion between two esteemed e-poets for whom collaboration is an integral part of their creative practice, appeared in the "The Collaborative Turn" special issue of American Book Review, guest-edited by Davis Schneiderman. In their discussion, Montfort and Strickland survey several common types of e-lit collaboration and provide links to representative examples. Strickland explicitly links the material aesthetics of code poetics to literary theorist Timothy Morton's call for critical thinking that engages the universe's enmeshed interconnectedness, which he dubs "the ecological thought."

   Eric Dean Rasmussen - 29.12.2011 - 11:45

9. A New "Gospel of the Three Dimensions": Expanding the Boundaries of Digital Literature in Jörgen Schäfer and Peter Gendolla's Beyond the Screen

   A review of Beyond the Screen: Transformations of Literary Structures, Interfaces and Genres, edited by Peter Gendolla and Jörgen Schäfer.

   Patricia Tomaszek - 21.01.2012 - 22:53

10. charNG: case study of authoring a poetry generator

    charNG: case study of authoring a poetry generator

    Meri Alexandra Raita - 19.02.2012 - 19:27

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