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1. Distant Mirrors and the LAMP

   The text of the talk Kirschenbaum delivered at the 2013 MLA Presidential Forum Avenues of Access session on “Digital Humanities and the Future of Scholarly Communication.” The talk is focused on network-based scholarly discourse, and their enhancement and dispersion through a number of different online social network technologies. Kirschenbaum in particular notes the issue of rapid migration from one communication channel to another.

   Scott Rettberg - 07.01.2013 - 10:05

2. The ELMCIP Electronic Literature Knowledge Base: Documentation, Connections and Visualisations

   The ELMCIP Electronic Literature Knowledge Base: Documentation, Connections and Visualisations

   Jill Walker Rettberg - 14.06.2013 - 13:21

3. Russian E-poetry: Emerging Communities

   Russian E-poetry: Emerging Communities

   Maria Engberg - 17.06.2013 - 16:38

4. Tracing Russian E-Lit in Contemporary Art Scene. A Report on Russian Electronic Literature Collection at ELMCIP Knowledge Base.

   Tracing Russian E-Lit in Contemporary Art Scene. A Report on Russian Electronic Literature Collection at ELMCIP Knowledge Base.

   Natalia Fedorova - 01.08.2013 - 18:46

5. "Make Me Think": Composing the Narrative Interface

   "Make Me Think": Composing the Narrative Interface

   Stig Andreassen - 25.09.2013 - 15:10

6. A Site for Collaborative Reading of E-Lit

   As scholars experiment with collaborative, multimodal approaches to analyzing electronic literature, the tools, methods, and practices of such collaboration become increasingly an issue. How do we share, edit, archive, and publish arguments that address and evolve across multiple types of data, platforms, and disciplines? How can the approaches (data visualization, code analysis, textual explication, bibliographic history, etc.) be shared in ways that other scholars can engage not just with the final interpretations but also with the processes that lead to them? Recent publications such as 10 PRINT CHR$ (205.5 + RND (1)); : GOTO 10, represent the value of such collaborative efforts in combining media archaeology, platform studies, software studies, and Critical Code Studies. Our own work in collaboratively close reading William Poundstone’s “Project for Tachistoscope: [Bottomless Pit],” which we presented at ELO 2010 (held at Brown University) and are now developing as a book for Iowa UP, has prompted us to reflexively consider how the processes of our own collaboration might prove generative to other scholars.

   Stig Andreassen - 25.09.2013 - 15:20

7. Reading the Drones: Working Towards a Critical Tradition of Interactive Poetry Generation

   Computer-generated poetry is now almost sixty years old, stretching from the work of Christopher Strachey, Jackson Mac Low and Theo Lutz in the 1950s to the wealth of interactive poetry generators freely available online today. According to Antonio Roque, this history comprises four distinct (but overlapping) ‘traditions’: the Poetic; the Oulipo; the Programming; and the Research. But despite the inherent ‘literariness’ of the enterprise, one tradition is conspicuous by its absence: the ‘Critical’. It is the object of this paper to rectify this omission, proposing a mode of critical engagement that might allow interactive poetry generators to be naturalised as objects of textual study according to the protocols of literary criticism. It seeks to achieve this by means of a comparative analysis between what might be construed as the first interactive poetry generator – Tristan Tzara’s ‘How to Make a Dadaist Poem’ – and one of the most recent (and most powerful) – Chris Westbury’s JanusNode.

   Kriss-Andre Jacobsen - 04.10.2013 - 11:14

8. To Grasp or not to Grasp. A Phenomenological Approach to Serge Bouchardon's E-Literary Pieces

   To Grasp or not to Grasp. A Phenomenological Approach to Serge Bouchardon's E-Literary Pieces

   Arngeir Enåsen - 04.10.2013 - 12:01

9. <<Chercher l’exhibition>> Curating Electronic Literature as a Critical Practice

   This presentation focuses on curating electronic literature as a critical practice. Exhibits focusing specifically on Electronic Literature have been mounted at galleries, libraries, universities, convention spaces, and parks and other outside venues. The Electronic Literature Organization’s 2012 Media Art Show, for example, hosted exhibits in five different locations in Morgantown, including a community arts center, local gallery, the university library, a department’s conference room, and the city’s amphitheater, while the MLA 2012 and 2013 exhibits were held at the Washington State and Hynes convention centers, respectively. Exhibits of Electronic Literature are planned for U.S. Library of Congress in April 2013 and Illuminations gallery at University of Ireland Maymooth in March 2014, and in various locations in Bergen, Norway in fall 2015. This range of venues suggests a flexibility and appeal of Electronic Literature that is both scalable and broad. With these qualities in mind, the presentation will discuss questions including but not limited to:

   Fredrik Sten - 17.10.2013 - 17:13

10. Post-digital Books and Disruptive Literary Machines

    The e-book has been launched several times during the last decades and the book’s demise has often been predicted. Furthermore networked and electronic literature has already established a long history. However, currently we witness several interesting artistic and literary experiments exploring the current changes in literary culture – including the media changes brought about by the current popular break-through of the e-book and the changes in book trading such as represented by e.g. Amazon’s Kindle and Apple’s iBooks – changes that have been described with the concept of controlled consumption (Striphas, 2011, Andersen & Pold, 2012). In our paper we want to focus on how artistic, e-literary experiments explore this new literary culture through formal experiments with expanded books and/or artistic experiments with the post-print literary economy. Examples of the first are Konrad Korabiewski and Litten’s multimedia art book Affected as Only a Human Can Be (Danish version, 2010, English version forthcoming) and our own collaborative installation Coincidentally the Screen has turned to Ink (presented at the Remediating the Social conference, Edinburgh 2012).

    Fredrik Sten - 17.10.2013 - 17:39

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