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1. ovonovelo

   ovonovelo

   Ana Castello - 13.10.2018 - 15:33

2. White-Faced Bromeliads on 20 Hectares

   White-Faced Bromeliads on 20 Hectares is a digital poem, which includes a mixture of primarily the English language with some instances of Spanish. In this work Glazier explores alternatives to our customary experiences, through the use of a generator which changes the text of the poems every 10 seconds, turning it from it’s traditional static state to one with movement and change. Furthermore, the evocation of traveling through the images and anecdotes, provides an exploration of a multilingual and multicultural experience. Additionally, the presences of the HTML code leads to a work with multiple possibilities, primarily on how the reader perceives and experiences the work due to the possible technical reading of the code and the multiple possible poetic readings.

   Lyvette Martell - 29.11.2018 - 21:39

3. Li Po :: 8888

    

    

   in a planet earth with out humans a old chinese poet is still alive a fight vs the alien occupation and extraction of earth. Is the battle of the carbon based life in planet earth. So a ambassador from the year 8888 came to 4444 to hear the poems of Li Po. Then, the antidote to capitalism that we know thanks to Li Po poems is send to our times for sell as Rice to prevent the alien occupation. 8888 is the code that the future send with the antidote.

   Cecilie Klingenberg - 27.02.2021 - 15:52

4. Automatergon 72-1

   Computer generated poem in English by the Dutch sound poet Greta Monach (1928-2018), which was anthologised in the Richard W. Bailey's collection Computer Poems (1973).

   Siebe Bluijs - 25.03.2021 - 15:00

5. Speak, Pen

   Speak, Pen is a web-based art tool programmed in JavaScript. It’s a drawing tool that replaces the traditional paintbrush with custom text inputs. Users are free to use text on the canvas to make visual poetries, interactive drawings, and performances, etc. The work explores the materiality of text, and ways in which users experiment with texts beyond their semantic functions.

   Created during a radical tool workshop at SFPC, Speak, Pen takes inspiration from other “radical” tools that encourage DIY spirit and playfulness. It is not just a digital drawing tool, but rather, a community that aims to inspire makers to experiment with texts beyond their daily functions. It is something that can be performed, alone, or alongside others. I intend to blur the lines between users and the creators or mediators of a platform. Our community guidelines are based not on rules for how to use the text brush, but examples of how past audiences have experimented with it. The meaning of the works lies not within the interpretation of the texts in the drawings, but the different engagements with the tool within and outside its community.

   Alvaro Seica - 27.05.2021 - 15:09

6. Vocales Orbitando un Poema

   Vocales Orbitando un Poema

   Alvaro Seica - 27.05.2021 - 22:17

7. Ro(s/z)a

   Navega entre la permutación constante alrededor de tres palabras que solo se diferencian en una letra y cuyos significados varían completamente según los artículos que las unen. Se han dispuesto de forma fantasmal todas las variaciones conocidas de la unión entre estas tres palabras para que el lector explore y descubra los variantes. El poema abre un proceso de escritura normalmente oculto al lector y lo pone a su disposición desmitificándolo.

   (Source: Author's page)

   Alvaro Seica - 27.05.2021 - 22:27

8. Poemas Lanzados (v2)

   Poemas Lanzados (v2)

   Alvaro Seica - 27.05.2021 - 22:47

9. Er/Sie: ein literarisches Internet-Projekt

   The digital project by Ursula Menzer and Sabine Orth is based on the book Er/Sie Vexus I-VII by Sabine Orth. They address “er” and “sie”, which is the German personal pronouns.

   Heidi Haugsdal Kvinge - 22.09.2021 - 13:16

10. The Infinite Woman

    The Infinite Woman is an interactive remix and erasure poetry platform. As a feminist critique and artistic intervention, the web app remixes excerpts from Edison Marshall’s novel The Infinite Woman (1950) and Simone de Beauvoir’s philosophy book The Second Sex (1949). An n-gram algorithm procedurally generates infinitely scrolling sentences that attempt to describe and critique an eternal feminine essence. Revealing patterns through iterative permutations, this algorithmic remix of Marshall’s and Beauvoir’s language stretches the logic of “the infinite woman” to the breaking point. Meanwhile, fog slowly obscures the screen, visually performing the concept and technique of erasure. Users can select sentences from the infinitely scrolling text to send to a canvas workspace, where they can erase words and rearrange sentences to create their own poems. These user-generated erasure poems proliferate possibilities for deconstructing and reimagining gendered subjectivity.

    Aurelia Griesbeck - 28.01.2023 - 15:10

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