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Université du Québec à Montréal
The Université du Québec à Montréal (UQAM) is a public French-language university located in Montreal, Quebec, Canada. It was founded in 1969 by the government of Quebec, through the merger of the École des Beaux-Arts de Montréal, a fine arts school; the Collège Sainte-Marie, a classical college; and a number of smaller schools. UQAM offers Bachelors, Masters, and Doctoral degrees.
Source: Wikipedia
Alexandra Saemmer - 08.09.2011 - 17:09
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Fictions d’Issy
Fictions d’Issy is a generative novel, its narrative being gradually composed as it is presented to the readers. It was first shown at the 2005 edition of the 1ER CONTACT FESTIVAL.
It retraces the story of two characters – he and she – and their relationship, oscillating between breaking-up and being involved. The story - continuously generated, sentence after sentence - is published in Issy-les-Moulineaux’ eleven urban e-newspapers, alternating with municipal information. The story takes place in the town of Issy; the names of public establishments, streets and squares are memorised by the text-generating device and appear regularly throughout the narrative. The local population is thus able to follow the characters’ adventures as they take place in familiar places.
Eric Dean Rasmussen - 13.09.2011 - 10:09
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Agrippa (A Book of the Dead)
William Gibson wrote the linguistic text of the poem, artist Dennis Ashbaugh created the art for the book, an anonymous “hacker” programmed the e-poem, and publisher Kevin Begos, Jr. orchestrated the collaboration. The result was two limited edition artist’s books (printed on photo-sensitive paper that would fade after an initial reading) that came with a 3.5” disk with a program that would display the poem once (as seen in the video above) and self-destruct. (Source: Leonardo Flores, I ♥ E-Poetry)
Eric Dean Rasmussen - 13.09.2011 - 14:51
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The Heart of the Machine
There is little documentation of this early work published on the ACEN discussion board on the WELL. According to "Æther9"'s brief description, "the autobiographies of network users are integrated into the sequels of an 'experimental novel'" (Source: http://1904.cc/timeline/tiki-index.php?page=1986) (Dead link)
Jill Walker Rettberg - 18.09.2011 - 21:58
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San Francisco Museum of Modern Art
San Francisco Museum of Modern Art
J. R. Carpenter - 19.09.2011 - 18:46
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string-code
This poem, together with 'Square 01', is part of an ongoing series of interactive, experimental and generative poetic texts to generate visual compositions, which fill the viewable space in time, with a growing pattern triggered by sound and silence. If the sound is loud the letters become thicker and bigger. As in many of my pieces, the poems don’t exist until the viewer interacts with them. String_code is the visual representation of the code in Square 01, this is why I am presenting both as a pair. In all poems, the three communication systems converge: image, writing and code. Square 01 is formed by the western alphabet. All the letters appear lineally, in rows, superimposed over each other, until they eventually become an indistinguishable blob. It was my intention to explore the tradition of concrete poetry, its formal representations and production processes using the programming language of Processing. Taking model in Hansjorg Mayer’s alphabetenquadratbuch poem, its minimalist visual form of multiple layers, the desire to escape from the linguistic through the obliteration of the letters and the encapsulation in it by the square.
Scott Rettberg - 22.09.2011 - 15:17
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Stillicidio
Stillicidio
Giovanna Di Rosario - 22.09.2011 - 16:59
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Cartografi
Cartografi
Giovanna Di Rosario - 22.09.2011 - 17:12
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Soldati
Soldati
Giovanna Di Rosario - 22.09.2011 - 17:24
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Card Catalogs and Electronic Books
The Card Catalogs (1976-1981; first exhibited in 1978) are collections of text and images on 3x5 cards. Each catalog is a tray of cards containing 50-200 cards structured by dividers that key the cards using small pictures or word phrases. Although they can be read sequentially, they were meant to be non-sequential works that combine words and pictures so that neither are the words descriptions of the pictures nor are the pictures illustrations of the words. For example, the Woodpile consists of 165 nodes of photos drawings or text, keyed by small photos and drawings. Each node stands by itself but also functions as a molecular unit that, when combined with other cards, builds up a story. As opposed to a linear book where the reader focuses on the front cover and normally proceeds linearly from there, the reader approaching a card catalog like The Woodpile sees the top of the entire work and is encouraged to begin at any place.
Judy Malloy - 25.09.2011 - 21:30
