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  1. The Flat

    Inspired by the author’s own dreams and experiences, The Flat presents users/readers with a challenging mouse-controlled environment in which narrative fragments left behind by an abandoned building’s previous inhabitants still linger. Through a combination of atmospheric photography, parallax scrolling techniques, snippets of written fiction, and an evocative soundtrack, the work allows various rooms in the flat to be explored by panning around with the mouse; the transient textual narratives themselves often changing and/or progressing when the rooms are revisited. To add to the feeling of tension and urgency, and to encourage the work to be revisited, a timer ticks down in the top right hand corner of the screen before the user/reader is ejected from the narrative and shown a final, enigmatic scene: a white hooded figure in the back garden.

    Andy Campbell - 13.05.2011 - 16:13

  2. text.curtain

    'text.curtain' explores relationships between poetic text and ludic play via an interactively evolving recombinant text. Projected on a wall-size screen, text.curtain presents a physics-based 'spring-mass' interface that organically responds to the interactions of multiple simultaneous users. As the piece is disrupted and letters wash back and forth, a granular synthesis engine provides realtime aural feedback. Tension is created through the simultaneous desire of users to both disrupt the existing text via 'play' and to 'read' the piece as it evolves and recombines in response.

    Scott Rettberg - 24.05.2011 - 11:56

  3. Cityscapes: Social Poetics / Public Textualities

    Cityscapes is an exploration of how to integrate e-poetry into the realm of social and urban poetics. This work began to germinate in 2002 during my artist's residency in Tokyo at the time. Immersed in a world of moving/electronic signs, ever changing, flickering and in flux, I wanted to be able to reproduce this experience of linguistic signs devoid of semantic meaning –as a non Japanese reader- and consequently transform them into textual images, by use of digital technologies. I became excited by the idea of a new calligram, the calligram of the city, and how this would change from city to city; what poetics every city would offer?

    Scott Rettberg - 22.09.2011 - 17:27

  4. The Last Day of Betty Nkomo

    This 2005 piece distinguishes itself from most of YHCHI's earlier work in two ways: it is brief (about 2 minutes long) and it uses an Okinawan folk song (perhaps a version of "Asadoya Yunta") rather than jazz. This compelling story is perfectly synchronized to the music, powerfully narrating the thought process of a woman who seems to by dying on the floor, trying to get up, but unable to. The chords played on the sanshin set a regular tempo for the song and poem, but its heartbeat-like rhythm slows down into an abrupt silence at the end of the song, marking Betty Nkomos' death.

    For a more detailed reading of this poem, read pgs. 157-161 of Giovanna Di Rosario's dissertation, "Electronic Poetry: Understanding Poetry in the Digital Environment."

    (Source: Leonardo Flores, I ♥ E-Poetry)

    Meri Alexandra Raita - 05.10.2011 - 13:51

  5. Urgent Request

    The work Urgent Request tells the story of a man, Kim, who left society and money behind to live an ascetic life in Seoul. By telling this story Young-hae Chang Heavy Industries asks the reader for money, as then the reader will have learned a valuable lesson and helped YHCHI at the same time. At the end of the work it is possible to click donate and the reader is directed to Paypal.

    The style of the work resembles that of a spam mail which promises a better life in exchange for a sum of money.

    Meri Alexandra Raita - 12.10.2011 - 22:06

  6. Jean-Pierre Balpe ou les Lettres Dérangées

    Jean-Pierre Balpe ou les Lettres Dérangées was created as a homage to the poet and software developer Jean-Pierre Balpe. The title of the piece can be understood in a number of ways. In French, the word "letters" refers to the alphabet, mail correspondence, and also to the art of writing itself. The piece consists of a number of letters which are not all visible to the reader until the very end. The word "dérangé" has a number of meanings as well. One meaning is physical disturbance. The letters themselves are distorted, just as the meaning of letters and words became distorted when Balpe introduced the literary world to text generation. The word also means mental disturbance. Disturbed by the mouse passing over them, the letters unpredictably go in all directions without reason. The underlying algorithm brings the letters to madness. The actions of the reader turn the poem into a kind of game. The purpose of the game is to get to the end of the poem by playing with the letters without falling into any traps.

    Eric Dean Rasmussen - 08.11.2011 - 14:56

  7. Urbanalities

    A mash-up of Dadaist technique and VJ stylings, this Flash movie is the product of an "antagonist remix" by babel vs. escha. Seven scenes provide enigmatic observations on the nature of contemporary life, on seeing and being seen, understanding and miscommunication, destruction and creation. The texts in the piece are generated randomly as the piece runs, so the reader's experience of the piece is never exactly the same twice. 

    (Description from Electronic Literature Collection, Volume 1.)

    Eric Dean Rasmussen - 08.11.2011 - 16:38

  8. Inanimate Alice, Episode 1: China

    Inanimate Alice depicts the life of a young girl growing up in the early years of the 21st century through her blog and episodic multimedia adventures that span her life from childhood through to her twenties. It has been created to help draw attention to the issue of electro-sensitivity and the potentially harmful pollution resulting from wireless communications.

    (Source: Author's description from ELC, vol. 1)

    Eric Dean Rasmussen - 23.11.2011 - 10:21

  9. Kluge: A Mediation

    ulti-purpose digital text object. The text was written according to a basic constraint; each paragraph had to be 20-lines long, 60 characters across, with no words hyphenated and carried over to the next line. To read, the user scrapes away the letters with the mouse (be sure to click on the Flash app to make it active). Individual letter keys create algorithmically defined new texts based on the original 36 paragraphs. (Source: Author's website)

    Meri Alexandra Raita - 19.02.2012 - 18:35

  10. We Feel Fine: An Exploration of Human Emotion, in Six Movements

    Since August 2005, We Feel Fine has been harvesting human feelings from a large number of weblogs. Every few minutes, the system searches the world's newly posted blog entries for occurrences of the phrases "I feel" and "I am feeling". When it finds such a phrase, it records the full sentence, up to the period, and identifies the "feeling" expressed in that sentence (e.g. sad, happy, depressed, etc.). Because blogs are structured in largely standard ways, the age, gender, and geographical location of the author can often be extracted and saved along with the sentence, as can the local weather conditions at the time the sentence was written. All of this information is saved.

    Patricia Tomaszek - 24.08.2012 - 16:18

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