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1. Electronic Literature as Paratextual Construction

   The article reflects on how electronic literature and affiliated or related fields describe themselves paratextually. It focus on metatexts which address the e-lit field or genre as a whole, rather than individual works.
    

   Gesa Blume - 17.09.2019 - 14:54

2. The Sonic Spectrum

   The Sonic Spectrum

   Sturle Mandrup - 17.09.2019 - 15:40

3. ELO and the Electric Light Orchestra: Electronic Literature Lessons from Prog Rock

   ELO and the Electric Light Orchestra: Electronic Literature Lessons from Prog Rock

   Gesa Blume - 24.09.2019 - 00:29

4. The Durability of Love: Background and History of Tim McLaughlin’s Notes Toward Absolute Zero

   Shipwrecks, train wrecks, and wrecked hearts permeate Tim McLaughlin’s Notes Toward Absolute Zero (NTAZ), a hypertext narrative produced with Storyspace in 1993 and published by Eastgate Systems, Inc. in 1995 on 3.5-inch floppy disk and in 1996 on CD-ROM. As the title suggests, it is a story about cold so absolute that order and predictability are lost. As Rob Kendall points out in his study of the work, “Parsing the Cold: McLaughlin’s Notes Toward Absolute Zero,” the overarching theme of the narrative is the power of cold to both destroy and preserve. 

   Dene Grigar - 24.12.2019 - 23:16

5. Locating Stephanie Strickland's True North

   Many essays about the hypertext poem, "True North," address Stephanie Strickland's use of color and maps, such as Deena Larsen and Richard Higgason's "An Anatomy of Anchors" and its instantiation into two distinct media forms, such as Joseph Tabbi's "Stephanie Strickland's True North: A Migration between Media." Strickland herself has written essays about the work, most notably "Quantum Poetics: Six Thoughts," where she reminds readers that her work "investigate[s] oscillation between image, text, sounds, and animation, both within and between hypertextually linked units" (32). This essay, therefore, takes a different tack from these excellent examples. It offers a discussion of the work's history of production, which is necessary for establishing valid information about versions and dates, and its mechanics because experiencing the hypertext poem will soon no longer be possible for readers. 

   Dene Grigar - 31.12.2019 - 01:13

6. fakephone4a(n)droid

   fakephone4a(n)droid

   Rui Torres - 21.02.2021 - 19:04

7. fakephone4a(n)droid

   fakephone4a(n)droid

   Rui Torres - 21.02.2021 - 19:12

8. Tecnofobia en arácnido: Una genealogía robopoética.

   Tecnofobia en arácnido: Una genealogía robopoética.

   Tina Escaja - 09.03.2021 - 03:12

9. The Origins Of Electronic Literature As Net/Web Art

   The Origins Of Electronic Literature As Net/Web Art

   Shanmuga Priya - 29.06.2022 - 00:41

10. Reading Digital Lives Generously

    The scale, scope, privacy, ephemerality, and “amateurism” of prevailing modes of digital self-representation pose challenges for scholars seeking to understand these phenomena. In this chapter, we draw on our experiences as researchers and editors to outline methodological approaches that can address these challenges. We advocate for a “generous” critical engagement with digital life narratives that welcomes methods and concepts from other disciplines while reaffirming the ongoing commitment of auto/biography studies to an inclusive view of what counts as a “life” and what signs of life—however transient, fragmentary, and enigmatic—we are willing to learn how to read.

    (Source: Reading Digital Lives Generously | 18 | Research Methodologies for Aut (taylorfrancis.com) accessed Jan 28, 2023)

    Andrea Brandmüller - 28.01.2023 - 15:21

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