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1. Digitale Kunst in der Bibliothek - Digital Art in the Library

   Das Ende des Gutenbergzeitalters ist längst ausgerufen und Medienhistoriker konstatieren eine Entwicklung von Medien des Sinns (Schrift, Buch) zu Medien der Sinne (Fotografie, Film). Der Computer erschien in seiner textbasierten Anfangszeit als Revanche des Wortes am Fernsehen. Inzwischen gibt es Fernsehen auch im Internet. Schlechte Zeiten für den Text? Die neuen Medien führen auch zu neuen Formen der Textnutzung: interaktiv, effektvoll, dekorativ, oft eher darauf aus, mit dem Text zu spielen als ihn zu lesen. Die Ausstellungsreihe "Digitale Kunst in der Bibliothek" zeigt einige davon, beginnend mit "Overboard", einem Beispiel für animierte konkrete Poesie.

   Mittwoch 28. März um 18:15 Uhr 
   im Katalogsaal der UB: Ausstellungseröffnung "Overboard" von John Cayley und Buchvernissage: "Textmaschinen - Kinetische Poesie - Interaktive Installation" von Prof. Dr. Roberto Simanowski. Anschliessend Apéro.

   Patricia Tomaszek - 24.03.2012 - 14:28

2. ACM Hypertext Conferences

   ACM Hypertext Conferences

   Jill Walker Rettberg - 26.03.2012 - 13:07

3. ACM Hypertext 1987

   The first conference on Hypertext, and the place where the Storyspace software and Joyce's hypertext afternoon were first presented in public.

   Jill Walker Rettberg - 26.03.2012 - 13:07

4. ACM Hypertext 2005

   The sixteenth ACM Hypertext conference was held in Salzburg, Austria. 

   Jill Walker Rettberg - 26.03.2012 - 13:17

5. The Digital Subject: Questioning Hypermnesia

   CFP: The Digital Subject: Questioning Hypermnesia
   International and transdisciplinary symposium
   Labex Arts-H2H project
   University of Paris 8 Vincennes Saint-Denis, November 13-15, 2012

   New extended deadline for submissions: July 1st, 2012

   Keynote speakers

   - Bernard Croisile, Chair, Department of Neuropsychology, Neurological Hospital of Lyon

   - N. Katherine Hayles, Professor, Duke University

   - Lydia H. Liu, Professor, Columbia University

   - Scott Rettberg, Professor, University of Bergen, Co-founder of Electronic Literature Organization and Project Head, ELMCIP 

   - Jean-Michel Salanskis, Professor of Philosophy, University of Paris Ouest Nanterre

   - Bernard Stiegler, Philosopher, President of Ars Industrialis, Head of Institut de Recherche et d’Innovation (Centre Georges Pompidou)

   Arnaud Regnauld - 17.04.2012 - 20:08

6. Network Archaeology

   The Network Archaeology conference at Miami University, co-convened by cris cheek and Nicole Starosielski, brought together scholars and practitioners to explore the resonances between digital networks and “older” (perhaps still emergent) systems of circulation; from roads to cables, from letter-writing networks to digital ink. Drawing on recent research in media archaeology, network archaeology may be seen as a method for re-orienting the temporality and spatiality of network studies. Network archaeology might pay attention to the history of distribution technologies, location and control of geographical resources, the emergence of circulatory models, proximity and morphology, network politics and power, and the transmission properties of media. What can we learn about contemporary cultural production and circulation from the examination of network histories? How can we conceptualize the polychronic developments of networks, including their growth, adaptation, and resistances?

   J. R. Carpenter - 01.05.2012 - 11:18

7. PW12 Performance Writing Weekend

   The weekend comprises performances, readings, a workshop on Writing & Mapping, ‘events on the plinth', an exhibition and discussions about multi- and inter-medial writing. We will be considering how, as the printed book comes under threat, new writing will be made, displayed and talked about. See attached PDF full details.

   (Source: www.arnolfioni.org.uk)

   Eric Dean Rasmussen - 02.05.2012 - 16:21

8. American Comparative Literature Association 2012

   The presidential theme of the ACLA 2012 was "Collapse/Catastrophe/Change".
   From the Lisbon earthquake of 1755 to 9/11 to the recent upheavals in the Middle East, the language of collapse and catastrophe, of crisis and change has come to dominate the public sphere. What figures and tropes produce and recuperate such events? How have they been represented differently in different periods and across linguistic and national boundaries? Economic meltdown, financial collapse, environmental depletion and disaster, trauma, the crisis in the humanities, in the foreign languages, in comparative literature itself: we are besieged by a discourse of crisis. At the same time, discourse itself seems to be in crisis, on the brink of collapse from the strain of having to reinvent itself with each new cataclysm without becoming redundant or incommensurate. What remains of terms like “revolution,” “democracy,” “justice,” “tragedy,” “community,” “freedom”? How are they mediated culturally? nationally? globally? Can the literary re-imagine so as to renew? What is the relation between figuration and change?

   Patricia Tomaszek - 08.05.2012 - 14:31

9. The Fiction and Non-Fiction of Virtual Reality

   The site of this year’s ACLA conference is also home to the Center for Computation and Visualization that enables vibrant research and pedagogy within so-called virtual reality environments, the best-know instance of which is known by the recursive acronym “CAVE” (Cave Automatic Virtual Environment).  In the Brown University Center students may take a ‘Cave Writing’ course and explore what it means to compose poetry or fiction with language in 3D, art students can use Cave Painting to produce pictures that float in space, and Geologists travel to Mars or Antarctica for fieldwork.

   Patricia Tomaszek - 08.05.2012 - 15:03

10. As belas formas da melancolia

    As belas formas da melancolia

    Patricia Tomaszek - 08.05.2012 - 15:11

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