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1. An Evening with Electronic Literature Organization

   The Electronic Literature Organization (ELO) presents an evening of multimedia, interactive performative-readings highlighting a broad range of born-digital literary forms, including game-inspired, collaborative, database, film/video, generative, and kinetic image work. The evening's presentations showcase five projects selected from the second Electronic Literature Collection, published in February 2011, and created by Oni Buchanan, Jhave, Illya Szilak, Sandy Baldwin, and collaborators Stephanie Strickland and Cynthia Lawson Jaramillo, with videos by Paul Ryan.

   Patricia Tomaszek - 12.12.2011 - 20:13

2. Brown E-Fest 2006: A Celebration of New Literary Hypermedia

   Presentations, performances, and readings at the Literary Arts Program (Brown University), featuring, among others, premieres by students from Brown´s electronic writing courses.

   Patricia Tomaszek - 01.02.2012 - 15:06

3. Autostart: A Festival of Digital Literature

   Celebrating the release of the Electronic Literature Collection, volume 1 presented by the MACHINE reading series. Conversation about writing and literature in the digital age, featuring poets: Charles Bernstein, Jena Osman, Bob Perelman, Ron Silliman. Workshops, readings, and performances, along with an "Electronic Writing Slam": A time to collaboratively write and to informally discuss forms, techniques, and technologies.

   Source: Festival Website

   Patricia Tomaszek - 03.02.2012 - 14:17

4. Reading by Michelle Teran: Work-in-Progress Guest Lecture

   New media artist and researcher Michelle Teran will present work-in-progress on her Folgen project

   Folgen (2011), draws on the existing narratives of amateur video makers found on YouTube to build a multi-layered media landscape of Berlin.  My subjective approach combines fragments of images and sound from the videos with my own narration, using the traces video makers have left in the public sphere of the internet to follow people throughout the city. A large table, roughly shaped like the city of Berlin is covered with drawings, texts and documentation from videos. It emerges as a temporary tactile media archive and becomes a physical environment for the re-playing of personal histories, which are then performed live. The many protagonists involved in the making of the work create the stories told during the performance.

   Eric Dean Rasmussen - 12.03.2012 - 16:54