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  1. Фестиваль поэзии на острове | эпизод: Новая Голландия

    Очередной эпизод Фестиваля поэзии на острове — при поддержке культурного пространства «Новая Голландия» и на одноименном острове. Предыдущие эпизоды Фестиваля («Цистерны», «Отмель» и «Канал») проходили на протяжении последних трех лет в разных частях Канонерского острова и являлись экспериментами по приданию поэзии публичного измерения. (сайт Транслита) Из кураторского текста: <...> у поэзии, долгое время заточенной в своей дисциплинарной автономии, много общего с судьбой острова, на котором томился то ли лес, приготовленный для строительства кораблей, но так и не пущенный в дело, то ли заключенные морской тюрьмы. Известно, что еще в начале века с острова был пущен и первый радиосигнал, но, похоже, он так и не был никем получен. Только сегодня, в начале XXI века, рукотворный остров петровских времен становится публичным пространством, тогда же когда и поэзия стремится распахнуть свои рукотворные чудеса для широкой интересующейся аудитории — при сохранении характерных для нее сложности и неоднозначности, а также выйти из «тюрьмы языка» — навстречу междисциплинарным практикам видео, инсталляции и перформинга.

    Natalia Fedorova - 23.01.2013 - 20:39

  2. Cyberfest

    CYBERFEST is the first and only Russian International festival for cybernetic art (which combines living, biological and somatic substances with computational and technical), held annually since 2007.

    This year the festival is attended by more than 80 artists and art professionals from 20 countries (Russia, France, Belgium, Canada, Italy, Germany, Austria, the USA, Mexico, Brazil, Argentina, Finland, Sweden, Lithuania, Poland, Belarus, Ukraine , Philippines, etc.), and the program includes:

    — an exhibition (of media objects and media installations);
    — live performances;
    — sound and video art programs;
    — an educational program (with lectures, workshops, master classes);
    — an Internet conference;
    — a concert.

    Natalia Fedorova - 29.01.2013 - 21:13

  3. E-Lit for Children

    Children seem to get e-lit long before their parents do. The idea that books might become magical or that poems might leap to life just makes sense to kids. So why not help them write it? One reason that is obvious to anyone who has written an unfinished overly ambitious branching narrative is that's it's easy to create a combinatoric nightmare or to end up with a terrible tangle of branches, leaving no time to create the text. Another reason is building these magic books takes a bit of technological knowledge that these digital-natives for some reason don't have from the womb (no fault of the womb). In this workshop, aimed at children, educators, and adult children, I will walk a group through the making of a choice-based micro-adventure using either Undum or Inkle. The goal will be to dive straight into the e-lit waters by writing a shared narrative within some tight constraints that ensure we will produce a story within the allotted time.

    (Source Authors Abstract)

    Sumeya Hassan - 17.02.2015 - 15:43

  4. Fourteen recipes for a sonnet

    This paper discusses a semester-long classroom project in which senior seminar students were required to take Shakespeare’s Sonnet 14 and convert it into various media objects and texts. The assignments made use of Ian Bogost’s “procedural rhetoric” (“a type of rhetoric tied to the core affordances of computers: running processes and executing rule-based symbolic manipulation”), assigning tasks based on the core concepts of “encoding” and “algorithm.” Some objects were electronic (music, twitter feeds) while the majority were physical objects, but they all made use of a procedural rhetoric sketched out by the original shape of the sonnet itself and the long tradition of scanning poems. In doing so, the objects produced force us to ask: where, exactly, do we “hold the light”? Is it e-lit if there’s no “e”?

    (Source Abstract Author)

    Sumeya Hassan - 26.02.2015 - 21:09

  5. The Turn on Literature Prize 2019

    Literature has been the place to go for views on the new and discomforting. Readers have looked to literature to understand the movements of society and their own role in it. Is the experimental arena of electronic literature where we should now look? Can electronic literature help readers find ways to connect or disconnect with the ubiquitous digital transformation?

     

    The Jury

    Scott Rettberg, Professor of Digital Culture, University of Bergen, and author of Electronic Literature (Polity, 2018)
    Søren Pold, PhD and Associate Professor of digital aesthetics, Aarhus University
    Thomas Vang Glud, Editor of “The Literature Page” (Litteratursiden.dk)
    Rasmus Halling Nielsen, Author of electronic and printed literature
    Martin Campostrini, Curator of electronic literature and digital development, Roskilde Libraries
    Mette-Marie Zacher Sørensen, PhD in Electronic Literature, Assistant Professor, Aarhus University
    Maria Engberg, PhD and Senior Lecturer, Dept of Computer Science and Media Technology, Malmö University (SWE), co-editor of The ELMCIP Anthology

    Gesa Blume - 08.09.2019 - 19:08

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