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  1. Publish and Die: The Preservation of Digital Literature within the UK

    Publish and Die: The Preservation of Digital Literature within the UK

    Eric Dean Rasmussen - 06.04.2011 - 11:23

  2. Archivability of Electronic Literature in Context

    Archivability of Electronic Literature in Context

    Jörgen Schäfer - 08.07.2011 - 10:50

  3. Archiving Electronic Literature and Poetry: Problems, Tendencies, Perspectives

    Electronic literature and E-Poetry is updated, interactive, subjective and well networked. But how durable is it? How long do texts published on web pages remain readable? It seems ironic that the transient character of the internet is attached to a medium that seems to be very suitable for documentation and archiving. All information is automatically digitally recorded and processed. This enables digital storage and retrieval as well as mirroring on different servers. There already exist a number of (often private) archive platforms that should be systematically supplemented by extensive archiving by national libraries. And still each website only remains available on the internet at its original address for less than 100 days on average. Afterwards it moves or is erased completely. This is of course also the case for Net literature. Projects can furthermore no longer be playable because their contents required plugins that are outdated; or they are only optimized for certain, old browser versions and no longer work on newer browsers.

    Audun Andreassen - 03.04.2013 - 10:28

  4. What Is at Work in a Work of Digital Literature?

    This proposal is for a panel presentation. In keeping with the themes of Archive and Innovate, this panel will look at structures and decoding with respect to the practice of preserving electronic fiction and poetry. A finished electronic piece is the end result of various decisions about technology and the coding that accompanies this production. In some cases the reading of a piece partially decodes the assemblage; in other works, the coding structure remains hidden. The members of this panel will look at both phenomena as an aspect of investigating works of digital literature. Members will include Marjorie C. Luesebrink/M.D. Coverley (chair), Stephanie Strickland, John Zuern, and Mark Marino.

    Audun Andreassen - 03.04.2013 - 15:19

  5. The State of the Archive: Authors, Scholars, and Curators on Archiving Electronic Literature

    Archiving electronic literature and the challenges raised by this task is a subject of discourse and action as well as a formative force in shaping the emergence of electronic literature as field of scholarly study. The ELO Visionary Landscapes Conference in 2007 dedicated a keynote position to a panel on the topic of preserving electronic literature with archivists from leading universities, and the panel was a cornerstone of discussion at the conference and beyond. The current proposal for a panel on the topic seeks to continue the conversation while extending it to voices not usually included in critical conversation about archiving— artists whose work is selected for preservation. What kinds of experiences are involved in collecting and handing over one’s oeuvre to an archivist? Does this experience affect the practice (artistic and otherwise) of future creation? Are there specific aspects of these questions and their answers that are specific to the digital nature of the objects?

    Audun Andreassen - 10.04.2013 - 11:21