Search
The search found 24 results in 0.011 seconds.
Search results
-
Transcriptions: A Digital Humanities Project on the Cultures of Information
Transcriptions: A Digital Humanities Project on the Cultures of Information
Maria Engberg - 31.03.2011 - 13:14
-
Literature and Culture of Information (LCI) Specialization
Literature and Culture of Information (LCI) Specialization
Eric Dean Rasmussen - 19.10.2011 - 11:23
-
Technologies of Text (GENS 410, Spring 2012)
Technologies of Text (GENS 410, Spring 2012)
Eric Dean Rasmussen - 05.01.2012 - 05:37
-
Radiophonic Laura: Voice, Song, Information, Intelligence
Web essay with video content on the various permutations of _Laura_ story through multiple media. _Laura_ is discussed as a parable of information exchange, with a focus on how sound is transmitted through and across multiple film texts, repetition and desire, noise and the cosmic.
Joe Milutis - 20.01.2012 - 22:17
-
F2F
F2F might seem retro to you. It struck me as very 1991. The idea of a hypertext that is heavy on the text seemed to lose its charm as soon as images, moving animation, video and sound could also be included. One of the downsides to the speed of the evolution of hypertext, is that whole possible genres and subgenres were not given the chance to grow. What happened to the web-film-essay? Well, it never happened. Sure, there are some text-book-market CD-ROMs and the like that do something similar, but they use video more as mere illustration. What about a film essay that would incorporate the mystery the moving image rather than try to compete with it? What about utilizing images and sounds that potentially resist the text? What about playing with the clips like a video artist would?
Joe Milutis - 20.01.2012 - 22:40
-
R, Adieu
A harrowing alphabetical excursion into the world of the rolled r. Milutis tracks—and, through sounds and videos, shows—the primal violence and utopian trill of 'the most rrresilient of locutions' in sound poetry, regional dialects, and televisual affects, from Kurt Schwitters to Georges Perec to Rodgers and Hart to Charles Bernstein.
Joe Milutis - 22.01.2012 - 21:15
-
The Quiddities
"Presenting the results of a data search sure to strain the capacities of any computer, Milutis proceeds to give an exceedingly close reading of what he modestly calls 'the fundamental core of all literature.'"
Joe Milutis - 23.01.2012 - 03:32
-
Completely Automated
I have formally performed “Completely Automated” on stage at a few conferences/venues and I think it could be a good fit for HASTAC’s themes. I would be very excited to perform it as part of an evening of performances. Total run-time is a duration of 15 minutes and it occurs in three parts. In the first part, I do a performative reading of a “historical” document that I have forged. To create the language of the forgery, I programmed a computer program to run a text analysis on a group of historical law tracts. I then skimmed the results and authored my own version of an early law tract. Calling on theater training, I perform this poetic text. In the second stage, the live performance overlaps and blends in with a short video that tells the story of how this forged document is digitally archived on google books as an “authentic” text. This video is blended with voice over of poetic text taken from the document. In the last stage I give a final performative reading of the changes that were made to the document when a group of users prepared it for upload in the digital archives.
Stig Andreassen - 20.03.2012 - 15:14
-
Digital Humanities in Practice (DIKULT 207, Fall 2012)
Digital Humanities in Practice (DIKULT 207, Fall 2012)
Patricia Tomaszek - 24.08.2012 - 14:00
-
Roland HT
Roland HT, in its second year of development, is a critical exposition and literary experiment which has as its focal point the protagonist of the 11th-century Song of Roland and of many other works in European literary canons. The project uses hypertext theory and fragmentary writing to combine Roland storylines from different literary traditions into a single multi-pathed narrative. A new, composite character is thus created.
(Source: 2002 State of the Arts gallery)
Scott Rettberg - 17.01.2013 - 22:17
