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1. Nostalgic Angels: Reconfiguring Hypertext Writing

   1993 diss. from Clarkson Tech, published as book in 1997.

   Scott Rettberg - 01.07.2013 - 12:55

2. We Interrupt This Magazine for a Special Bulletin -- PUSH!

   We Interrupt This Magazine for a Special Bulletin -- PUSH!

   Scott Rettberg - 02.07.2013 - 11:14

3. Raum, Raumsprache und Sprachräume: Zur Textsemiotik der Raumbeschreibung

   Raum, Raumsprache und Sprachräume: Zur Textsemiotik der Raumbeschreibung

   Patricia Tomaszek - 04.07.2013 - 16:45

4. Hyperizons: A study of interactive reading and readership in hyperfiction theory and practice, with an outlook to hyperfictions' future inspired by the reading of Sophie's World and The Pandora Directive

   This paper sets out to examine some of the hyperfiction products now on the market, as well as a number of the seminal critical texts surrounding them, in an attempt to outline some of the main issues and problems within the emerging field of the studies of hyperfiction. I will also briefly discuss which interests and which discourses from other fields of study or 'genres' have so far been influencing the discussion of what the 'virtues' of hyperfiction writing are. Thus, the main objective of this paper is to try to indicate what has remained unexplored in the theory and what might be some of the pitfalls of hyperfiction 'practice' and on the basis of this analysis to suggest what might be interesting to explore in future hyperfictions if the promises of hypertextual thinking is to be fully redeemed.

   (Source: from introduction)

   Jill Walker Rettberg - 29.08.2013 - 12:10

5. Poésie et ordinateur

   Poésie et ordinateur

   Alvaro Seica - 09.10.2013 - 11:48

6. Surf-Sample-Manipulate: Playgiarism On The Net

   At the opening of his influential essay entitled "Critifiction: Imagination As Plagiarism," novelist and critic Raymond Federman[1] says:

   We are surrounded by discourses: historical, social, political, economic, medical, judicial, and of course literary.
   Raymond Federman

   He then goes on to suggest two things: one, that the imagination should be used as an essential tool that leads to the formulation of a discourse and, two, that the practice of plagiarism is embedded within the creative process since the writing of a discourse always implies bringing together pieces of other discourses.
   This reminds me of a conversation I once had with the novelist Kathy Acker[2]. We were on a radio program together in Boulder, Colorado, and the interviewer asked her where she got her "writer's voice" from? Acker replied "What voice? There's no voice in my work: I just steal shit."

   (Source: Author's Introduction)

   Alvaro Seica - 20.02.2014 - 12:40

7. QUAKE-ING IN MY BOOTS: <EXAMINING> >CLAN:COMMUNITY< CONSTRUCTION IN AN ONLINE GAMER POPULATION

   This essay takes us into the bloody world of Quake, an online multi-player game, where we discover a thriving virtual community. Breeze also investigates what happens when members of this virtual community go offline in Wollongong, Australia.

   mez breeze - 06.05.2014 - 08:54

8. alire 10

   alire 10

   Jonathan Baillehache - 10.09.2014 - 20:01

9. Cybertext Poetry: Effects of Digital Media on the Creation of Poetic Literature

   Digital technologies have begun to affect the activity of creating poetry. This development does not threaten to supplant poetry in its written, oral, and other senses. Rather, it holds the potential to accentuate and extend its capabilities. My study discusses historical and mechanical issues related to literature and digital media, exposing how approaches to the creation of poetic texts are evolving as writing (in part) becomes machine-modulated. Aiming to chronicle the opening period of cybertext, these essays intend to expand the discourse and illustrate aesthetic properties of digital text. Theodor Holm Nelson invented the concept of hypertext in the 1960s. Hypertext, to Nelson, meant branching texts and "non-sequential writing." It is a specialized mode of multi-layered reading and writing enabling the integration of digital texts. My study advances hypertext by adopting the term cybertext to include other digital forms and possibilities. It continues the work of developing a vocabulary bridging poetry and cybertext, discussing contemporary theory and practice in this discipline.

   Alvaro Seica - 06.05.2015 - 14:32

10. Ghostlier Demarcations: Modern Poetry and the Material World

    Why do modern poets quote from dictionaries in their poems? How has the tape recorder changed the poet's voice? What has shopping to do with Gertrude Stein's aesthetics? These and other questions form the core of Ghostlier Demarcations, a study of modern poetry as a material medium. One of today's most respected critics of twentieth-century poetry and poetics, Michael Davidson argues that literary materiality has been dominated by an ideology of modernism, based on the ideal of the autonomous work of art, which has hindered our ability to read poetry as a socially critical medium. By focusing on writing as a palimpsest involving numerous layers of materiality--from the holograph manuscript to the printed book--Davidson exposes modern poetry's engagement with larger historical forces. The palimpsest that results is less a poem than an arrested stage of writing in whose layers can be discerned ghostly traces of other texts.

    (Source: Publisher)

    Corey T. Sparks - 07.06.2017 - 20:59

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