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  1. Poemas no meio do caminho

    This  is a combinatory text. There are two versions of the text – two ways of reading it: horizontally and vertically. Both versions allow the reader to save her own textual production, and then to send that production to a weblog. The reader can recombine the text according to the paradigmatic axis of language: the reader selects, the machine morphs/combines. However,  some “obligatory” options resist. By quoting Dante, Poemas no meio do caminho is a metaphor of the reading practice: “poemas no meio do caminho da leitura” (“poems midway upon the journey of reading”). It suggests an ephemeral poetic construction that appears and vanishes in a click. On the one hand these poems destroy the sacredness of the poetic language; on the other they realize the poïesis.This work has won (ex-aequo) the 4t Premi Internacional "Ciutat de Vinaròs" de Literatura Digital.

    Patricia Tomaszek - 13.01.2011 - 17:49

  2. Streamflow conditions

    Work created for Subito Press and Streamflow Conditions event, org. by Judd Morrissey. This combinatory text constituted the basis of a performance using Twitter. Texts by Rui Torres, Sophia Andersen and Fernando Pessoa.
     

    Rui Torres - 25.11.2011 - 22:46

  3. Do Peso e da Leveza

    Trabalho realizado por encomenda das Oficinas do Convento de 2009, Conversas à Volta do Peso e da Leveza, Montemor-o-Novo. Textos e léxico de Fernando Pessoa e Sophia de Mello Breyner Andersen

    Rui Torres - 25.11.2011 - 22:57

  4. Um Corvo Nunca Mais

    Generative and combinatory translation of "O Corvo/The Crow" (Fernando Pessoa / Edgar A. Poe). Created for the Núcleo de Estudos do Modernismo em Língua Portuguesa, Universidade Fernando Pessoa.

    Rui Torres - 25.11.2011 - 23:03

  5. Sound Rites: Relationships Between Words and Sound in New Media Writing

    While discussion of the relationship of image and word has been prominent in the discourses
    surrounding new media writing, the role of sound is rarely addressed in this context, even
    though words are sounds and sounds are a major component of multimedia. This paper
    explores possibilities for new theoretical frameworks in this area, drawing on musico-literary
    discourse, intermedia theory and inter-cultural theory, and using ideas about semiotic and cultural exchange as a basis.

    Eric Dean Rasmussen - 14.06.2012 - 15:17

  6. Poemas no Meio do Caminho: Poesia Combinatória Animada por Computador

    Poemas combinatórios e generativos, programados de modo a permitir ao leitor alterar dinamicamente, em tempo de execução, os paradigmas que alimentam a sintaxe original; Som gerado aleatoriamente a partir de bases de dados previamente gravadas, com vozes e texturas sonoras; Além de alterar o poema, o leitor pode guardar as suas versões/leituras num weblog disponível na Internet. Duas versões disponíveis (versão horizontal e versão vertical) dão aos leitores a possibilidade de navegar entre distintas tipologias de página: em modo de panorama ou em modo de página html: A versão horizontal (panorama) inclui video, permite ao leitor alterar as palavras e enviar para weblog; A versão vertical (html) permite ao leitor alterar as palavras, alterar as listas e enviar para weblog.

    (Source: http://edicoes.ufp.pt/product/humanidades/poemas-no-meio-do-caminho-poes...)

    Alvaro Seica - 14.10.2013 - 13:09

  7. Platform Collaboration, Creativity and Determinism in Virtual Reality (VR): An artist paper the making of The Key To Time, a work for VR, domes and CAVEs.

    Addressing conference themes of platform utopias, determinisms, identities, collaborations and modes, this conversational presentation discusses ways that concepts of time, space and narrative are expanded in The Key To Time https://unknownterritories.org/keytotime/. The Key To Time is a surreal and lyrical work for immersive, cinematic art experiences such as domes and 360 degree cinemas as well as for individual viewing on head-mounted virtual reality devices. Bridging 1920's silent film and virtual reality, the surface story draws viewers into a playful exploration of genre, identity and desire. In doing so, the work unravels narrative underpinnings of myths, genres, and technological constructs of time.
     

    Milosz Waskiewicz - 25.05.2021 - 15:17