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  1. Yuefu

    Yuefu is a poetry generation system using OpenAI’s GPT, a Generative Pre-Trained natural language model pretrained on Chinese newspapers, that is fine-tuned with classical Chinese poetry. The developers write in their paper describing the system that it does not use "human crafted rules or features," or "any additional neural components". The system can generate poems in various formal, classical styles.  

    The example shown is translated by Ru-Ping Cheng and Jeff Ding for the ChinAI newsletter. It is an example of Cang Tou Shi, a Chinese version of acrostic poems. "In this case," the translator explains, "the first words of each line form the title of the poem: 神经网络 (neural networks)." Some other examples of the system's output are shown in a preprint published by the system's creators, and a translation of a Chinese newspaper article (entered into ELMCIP) provides translations of more examples.  

    Jill Walker Rettberg - 18.09.2019 - 12:40

  2. Making language: re-writing and control in algorithmic poetics

    Considering the effects of machine learning in aesthetic practices, the aim of this presentation is to discuss strategies for authorial inscription and the autonomy of literary writers in relation to programmable writing tools.

    In a first moment I will apply David Nickel's notion of "proxy writer" (2013) to algorithmic writing agents in order to characterize these agents in what concerns their relative autonomy and place within human writing practices, and argue that digital writing environments and tools have been gradually becoming more alienated from the writer's control. Vilém Flusser's notion of "functionary" will be applied to computational writing practices in order to situate these in the broader context of writing media.

    In a second moment I will discuss the writing strategies present in Jhave's ReRites (2017-18) in order to assess how such strategies cope with the high level of autonomy of neural-networks in text-generation, and how they function as a necessary precondition for literary inscription on a highly mediated writing space.

    Cecilie Klingenberg - 24.02.2021 - 16:07