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1. Lirismo Verbal e Virtual: Travessia de Sentidos

   The investigation subject of this dissertation is the configuration of erotic verbal lyrism and erotic virtual lyrism based on reflection sonnets by Florbela Espanca (1894 – 1930) and digital verses/poems by Rui Torres (1973). The sonnets were selected from Poemas Florbela Espanca, by Florbela Espanca and organization by Maria Lúcia Dal Farra and the digital verses/poems “Amor-mundo, ou a vida, esse sonho triste” from the electronic address www.telepoesis.net, by Rui Torres. Our purpose is to analyses the lyrism produced by both authors, indicating likeness and differences that the two lyrical forms manifests. The research problem-question was: is there a fusion between erotic verbal lyrism produced by Florbela Espanca and the erotic virtual lyrism produced by Rui Torres ? Or even better, assume that Florbela’s poetry produces a erotic lyrical voice, and the Rui Torre’s poetry, a virtual lyrical voice, we can tell that Torre’s poetry dialogues with the Florbela’s eroticism ?

   Alvaro Seica - 28.11.2013 - 18:29

2. Flash Script Poex: A Recodificação Digital do Poema Experimental

   In this article I analyze digital re-readings of experimental poems contained in the digital archive
   PO-EX: Poesia Experimental Portuguesa - Cadernos e Catálogos [PO-EX: Experimental Portuguese Poetry - Chapbooks and Catalogues]. This project was developed by the Center for the Study of Informatic Text and Cyberliterature (CETIC) at Fernando Pessoa University (Porto, Portugal). I consider how experimental poetics is applied and transformed in the processes of electronic remediation of visual and concrete texts by E. M. de Melo e Castro, Herberto Helder, José-Alberto Marques, Salette Tavares and António Aragão. While digital recreations redefine the source texts by means of specific programming codes, they also reveal the complex linguistic and graphical coding of the printed page.

   (Source: Author's Abstract)

   Alvaro Seica - 29.11.2013 - 10:54

3. New Strategies of Anthropophagy in Brazilian/Portuguese Digital Literature

   This article intends to discuss an example of contemporary digital literary creation, based on anthropophagy as a cultural mechanism. Oswald de Andrade, one of the leaders of Brazilian modernism, published his Anthropophagic Manifesto in 1928, where he argued that “what is not mine interests me”. In fact, translated into our contemporary culture, this Manifesto could explain some issues of Brazil’s intellectual and cultural environment: the “only what is not mine interests me” could be complementarily read as “what is mine does not interest me”; the anthropophagus would disdain that which is his own and ceaselessly search for the references to the Other. That attitude would be important to understand not only cultural processes, but it could also describe some strategies of contemporary digital literary creations, as Amor de Clarice, created by the Portuguese artist and intellectual Rui Torrres.

   (Source: Author's Abstract)

   Alvaro Seica - 29.11.2013 - 11:21

4. Poéticas Intermédia: As Interfaces do Amor

   A coletânea reúne textos cujo objetivo é contribuir para a redução das lacunas existentes no universo dos estudos sobre fatos literários atuais, no que se refere à contemporaneidade no Brasil, à literatura e a narrativa de ficção.

   (Fonte: Resumo do Livro. http://www.pucgoias.edu.br/ucg/editora/site/popup.asp?cod=978-85-7103-733)

   Alvaro Seica - 02.12.2013 - 14:50

5. Portuguese Experimental Poetry: Revisited and Recreated

   Portuguese Experimental Poetry, claiming to be an avant-garde movement, arose in Lisbon in the mid 60’s. It got its name from the title of a magazine, Cadernos de Poesia Experimental, which became the herald of the movement. Two issues were published, the first in 1964 and the second in 1966, organized by António Aragão and Herberto Hélder. The first issue was presented as anthological, since it included texts not only of Portuguese poets and musicians but also Brazilian, French, Italian and English artists. It also had a section which included poets of several epochs and tendencies, such as Luis de Camões or Quirinus Kuhlmann, representing respectively the mannerist and baroque aesthetics of European poetry.

   (Source: Author's Introduction)

   Alvaro Seica - 02.12.2013 - 15:14

6. Notas sobre AlletSator: O Retomar da Viagem – Sintetizador Poético, Ciberdrama e Hipermédia

   Nestas breves páginas proponho uma abordagem panorâmica a uma parte do percurso criativo de Pedro Barbosa que faz dele uma figura incontornável no panorama da ciberliteratura em língua portuguesa. Barbosa tem vindo a dedicar, desde há longa data, uma parte importante do seu trabalho, tanto criativo quanto teórico, à intersecção da literatura com as novas tecnologias, como o comprovam os dois volumes da então designada Literatura Cibernética, publicados nos finais da década de 70.

   (Fonte: http://cibertextualidades.ufp.edu.pt/numero-2-2007/ciberdrama-e)

   Alvaro Seica - 02.12.2013 - 15:26

7. Média Digitais: Novos Terrenos para a Expansão da Textualidade

   A intersecção da literatura com a informática, com especial incidência na poesia animada em computador, que será o objecto em análise neste breve ensaio, acentua a tendência do texto para transpor os limites convencionais, ao intensificar as propostas de interpenetração do verbal com o sonoro e o visual, já presentes em manifestações anteriores, por exemplo, no âmbito da poesia experimental, mas também como lembra José Augusto Mourão (p. 409 e ss), ao entrar efectivamente em movimento e ao prestar-se a modificações, o que implica que as transformações de maior alcance produzidas pela literatura digital no conceito de texto são provocadas pelos textos mais interactivos.

   (Fonte: Introdução do Autor)

   Alvaro Seica - 03.12.2013 - 12:36

8. alire 10: Um Testemunho de 10 anos de Simbiose entre Literatura e Informática

   alire 10: Um Testemunho de 10 anos de Simbiose entre Literatura e Informática

   Alvaro Seica - 03.12.2013 - 16:14

9. Poesia e(m) Computador

   Conference paper presented at Congresso Internacional da Associação Portuguesa de Literatura Comparada, Estudos Literários/Estudos Culturais. In: Actas do IV Congresso Internacional da Associação Portuguesa de Literatura Comparada, Estudos Literários/Estudos Culturais, Évora.

   Alvaro Seica - 03.12.2013 - 16:23

10. Concrete and Digital Poetics

    I argue that there is an intrinsic connection between concrete poetics as a theory of the medium (i.e., of language, of written language, and of poetical forms) and digital poetics as a theory of poetry for the digital medium. This link is clearly seen in the use of concrete poems as storyboards and scripts for electronic texts, both in composing text for graphic interface static display and for animation. This essay deals with the adoption of electronic media by concrete poets, with examples from the work of Brazilian poet Augusto de Campos (1931-), and Portuguese poets E.M. de Melo e Castro (1932-) and Tiago Gomez Rodrigues (1972-).

    (Source: Author's Abstract)

    Alvaro Seica - 05.12.2013 - 16:09

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