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  1. Where Are We Now?: Orienteering in the Electronic Literature Collection, Volume 2

    In an increasingly monolingual, globalized world, the second volume of theElectronic Literature Collection may just offer a map of the territory. The question the reviewer, John Zuern, poses is how do we navigate this terrain going forward? (Source: ebr.)  

    Eric Dean Rasmussen - 06.04.2012 - 17:14

  2. Carrying across Language and Code

    With reference to electronic literature translation projects in which we have been involved as translators or as authors of the source work, we argue that the process of translation can expose how language and computation interrelate in electronic literature.

    Eric Dean Rasmussen - 12.06.2012 - 16:36

  3. Traduire et préserver des œuvres numériques : Les projets du Laboratoire NT2 : La revue bleuOrange et L’Abécédaire du Web

    Dans le cadre du thème “Chercher le texte nunérique” les Laboratoires NT2 proposent une table ronde afin d’aborder la question de la préservation et de la traduction de la littérature hypermédiatique. Par littérature hypermédiatique, les Laboratoires NT2 entendent des œuvres ayant un contenu littéraire et faisant usage des technologies numériques. Ce sont des œuvres qui combinent matériau textuel et multimédia (sons, images, vidéos, etc.), des hypertextes, des textes générés par ordinateur, des fictions interactives, etc. Lors de cette table ronde, nous présenterons l’importance ainsi que la difficulté de traduire les œuvres de ce corpus. L’importance découle du mandat des Laboratoires NT2 de faire connaître en français cette littérature. La difficulté résulte dans la traduction d’œuvres qui doivent se faire en équipe, avec des créateurs qui n’ont plus toujours accès au code informatique de leur travail ou qui doivent le reprogrammer, c'est-à-dire, retraduire leur propre œuvre pour l’adaptation de leur œuvre vers le français.

    Scott Rettberg - 25.09.2013 - 15:26

  4. Visualizing la(e)ng(-u-)age

    Electronic literature not only engages “new media” elements (such as links, navigation, structure, animation, color, images, sound, computer programming) but also toys with the very foundation of literature—the language itself. After 20 years, we need to look back to remind people about these en(gag)(-tangl-)ements. As language is rapidly shifting with new te(xt )chnologies, we need to look ahead to see where electronic literature can engage with these emerging forms of language.

    First, I will briefly present previous works to provide a history of electronic literature’s engagement with language. I will cover:

    Character-augmented languages such as:

    · Talan Memmott’s Lexia to Perplexia and Mez’ mezzangle (languages using regular fonts which add or subtract characters to words to create other words, usually employing parentheses)

    · My work-in-progress Chronic (a handwritten language which adds or subtracts letters in a similar manner but employing upper characters to add letters and overbars to subtract letters)

    Visual languages such as:

    Scott Rettberg - 19.06.2014 - 20:31

  5. What Comes After Electronic Literature?

    Five minute lightning talks addressing the question: What comes after electronic literature?

    Steven Wingate: eLit and the Borg: the challenges of mainstreaming and commercialization
    Leonardo Flores: Time Capsules for True Digital Natives
    Maya Zalbidea, Xiana Sotelo and Augustine Abila: The Feminist Ends of Electronic Literature
    Mark Sample: Bad Data for a Broken World
    José Molina: Translating E-poetry: Still Avant-Garde
    Daria Petrova and Natalia Fedorova: 101 mediapoetry lab
    Judd Morrissey: Turesias (Odds of Ends)
    Jose Aburto: Post Digital Interactive Poetry: The End of Electronic Interfaces
    Andrew Klobucar: Measure for Measure: Moving from Narratives to Timelines in Social Media Networking
    David Clark: The End of Endings
    Damon Baker: "HAPPINESS FOR EVERYBODY, FREE, AND NO ONE WILL GO AWAY UNSATISFIED!": New Developments in the CaveWriting Hypertext Editing System

    (source: ELO 2015 conference catalog)

    Hannah Ackermans - 31.10.2015 - 11:31

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