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1. StoryFace

   "StoryFace" is a digital fiction based on the capture and recognition of facial emotions.

   The user logs onto a dating website. He/she is asked to display, in front of the webcam, the emotion that seems to characterize him/her the best. After this the website proposes profiles of partners. The user can choose one and exchange with a fictional partner. The user is now expected to focus on the content of messages. However, the user's facial expressions continue to be tracked and analyzed… 

   What is highlighted here is the tendency of emotion recognition devices to normalize emotions. Which emotion does the device expect? We go from the measurement of emotions to the standardization of emotions. 

   StoryFace was re-published in The New River in 2018.

   Carlos Muñoz - 26.09.2018 - 14:53

2. The Forever Club

   The Forever Club is an ensemble web comedy using a mash-up of videos, texts, interactive elements, animations, audio, memes, and visual remnants of social media.

   (Source: http://thenewriver.us/the-forever-club/)

   Carlos Muñoz - 26.09.2018 - 15:03

3. Why did you cry when you read that poem

   Why did you cry when you read that poem

   Carlos Muñoz - 26.09.2018 - 15:11

4. OTTARAS: 2CONCRETE

   In the autumn 2014 I was reading in the TARP festival in Vilnius and in the ZEBRA film poetry festival in Berlin. This was motivating for extending my project in the direction of sound poetry. Meeting the Russian composer Taras Mashtalir in e-Poetry2013 in London and later in Bergen, has resulted in a great collaboration. Together we are OTTARAS, and so far we have produced six sound poetry tracks based on my earlier works and with videos made by Alexander Vojjov and Yan Kalnberzin.

   Source: http://yellowpoetry.com/sound-poetry-news/

   Chiara Agostinelli - 26.09.2018 - 15:17

5. Poétique de la post-humanité

   Le langage devient un espace graphique d’exploration à partir de l’expression poétique de l’homme.

   En dialogue avec Jacques Donguy, Philippe Boisnard a pensé l’exposition “Poésie de la Post Humanité” à partir de documents et de propositions artistiques (Thierry Fournier, Beb-deum et de 3 holopoèmes d’Augusto de Campos, d’Eduardo Kac et de Richard Kostelanetz), afin de montrer que la poésie d’avant-garde ne propose pas que des formes esthétiques liées à la technique mais une autre appréhension de l’homme, de son devenir imprégné de son inventivité technique.

   Source: http://www.cda95.fr/fr/bains-numeriques-10e-edition/poesie-de-la-post-hu...

   Chiara Agostinelli - 26.09.2018 - 15:32

6. Infiltation

   Infiltation

   Chiara Agostinelli - 26.09.2018 - 15:38