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1. Intermission

   Intermission is a performative redadaction of the poetics of cinema. The performance and media platform utilizes René Clair’s short film Entr’acte (1924, a collaboration with Picabia and Erik Satie) as a starting point, reimagining cinema as if the Dadaist vision for the medium had become the prevalent form.

   Talan Memmott - 17.06.2011 - 12:41

2. Ibland försvinner rösten helt, under några timmar eller hela dagar. Denna företeelse saknar helt förklaring.

    "I Erikssons verk 'Ibland försvinner rösten helt, under några timmar eller hela dagar. Denna företeelse saknar helt förklaring.' försvinner röstens ljudregister och kvar finns tysta men likafullt artikulerande munnar stående på rad i glasburkar likt vetenskapliga, mystiska bevis som kan dissekeras och studeras närmare, men som ändå inte avslöjar sina hemligheter" (ur Maria Engbergs essä i nummer 48 av Pequod, samma nummer som Erikssons dikt publicerades i).

   Maria Engberg - 06.08.2011 - 20:33

3. string-code

   This poem, together with 'Square 01', is part of an ongoing series of interactive, experimental and generative poetic texts to generate visual compositions, which fill the viewable space in time, with a growing pattern triggered by sound and silence. If the sound is loud the letters become thicker and bigger. As in many of my pieces, the poems don’t exist until the viewer interacts with them. String_code is the visual representation of the code in Square 01, this is why I am presenting both as a pair. In all poems, the three communication systems converge: image, writing and code. Square 01 is formed by the western alphabet. All the letters appear lineally, in rows, superimposed over each other, until they eventually become an indistinguishable blob. It was my intention to explore the tradition of concrete poetry, its formal representations and production processes using the programming language of Processing. Taking model in Hansjorg Mayer’s alphabetenquadratbuch poem, its minimalist visual form of multiple layers, the desire to escape from the linguistic through the obliteration of the letters and the encapsulation in it by the square.

   Scott Rettberg - 22.09.2011 - 15:17

4. Stillicidio

   Stillicidio

   Giovanna Di Rosario - 22.09.2011 - 16:59

5. Cartografi

   Cartografi

   Giovanna Di Rosario - 22.09.2011 - 17:12

6. Enter:in' Wodies

   Enter:in' Wodies is the intermedial installation, where the person interacts with the work via motion sensing input device Kinect. The main idea is to imagine the person, whose interiour you would desire to read. You can choose from two models – man or woman. After the first text that explains the initiation to enter other person, you interact with the work by choosing the body parts by touching with your hands the imaginary being. The body parts refer to seven organ systems. To reveal the poems connected with the particular human biological systems, you have to make movements with your hands to uncover the words (interaction area is defined by your physical distance of hand from the sensor). The revelation of each part brings about the biological image of its cell textures, of the music (which has its unique corresponding sound that goes with the main melody) and of the poetic text about the system's exceptionality. After having read all the pieces, the final text appears that informs about your leaving the other person's body.

   Zuzana Husarova - 30.09.2011 - 17:04

7. Strange Rain

   In Erik Loyer's Strange Rain touch, sound, color, narrative and haptic play (the tilt of the device) blend into a tightly choreographed story driven by the gamer/reader's input. Alphonse the protagonist is standing out in a rainstorm contemplating his ailing sister and his role in her recovery. User touch controls the pace of raindrops falling on Alphonse and calls forth phrases of Alphonse's interior monologue. Tap the screen twice to ask Alphonse whether he's ready to go back into the house.

   (Source: Description from the Electronic Literature Exhibition catalogue)

   Eric Dean Rasmussen - 05.10.2011 - 10:02

8. How Am I Not Myself

   With Jason Huff's "How Am I Not Myself?" we have a play on biography and the refraction of the self as replicated within a Wikipedia entry by workers from Amazon's Mechanical Turk. As Huff tells us, this piece "aggregates information about all the Jason Huffs on the Internet [and] acts as an open-source platform for identity remix." That is, as long as Wikipedia doesn't find out about it.

   (Source: Alan Bigelow in The New River)

   Note: this page was deleted from Wikipedia.

   Scott Rettberg - 11.10.2011 - 14:20

9. Daily

   Daily

   Rozalie Hirs - 14.12.2011 - 10:46

10. The Quiddities

    "Presenting the results of a data search sure to strain the capacities of any computer, Milutis proceeds to give an exceedingly close reading of what he modestly calls 'the fundamental core of all literature.'"

    Joe Milutis - 23.01.2012 - 03:32

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