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RC_AI
It was only after I began working with Robert Coover in the Brown Literary Arts program in 1998 that I remembered my father commenting years earlier on Coover's book Pinocchio in Venice. As a foremost Scholar of the Pinocchio story and its appearances throughout history in literature and media, he was impressed with Coover's handling of the archive. My father went on to write about Coover's treatment in a co-authored book, Pinocchio Goes Postmodern: Perils of a Puppet in the United States.
RC_AI consists of texts composed by myself and Dr. Thomas J. Morrissey, my father, along with several generative algorithms and loose grammars in collaboration with a substantial portion of Robert Coover's Pinocchio in Venice. The panoramic text is a printed array (approximately 380,000 pixels long - or 422 feet) of variable content generated by parsing through approximately 1/2 of Coover's novel using the author's name as a search string.
Scott Rettberg - 18.04.2012 - 00:14
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Eat Your Tits and Puppets
An animated adaptation of a poem written by Claire Donato. Cascades of textual progressions -- appearances, disappearances, fades, mirrorings -- are scripted in detail and played back by a custom Java engine across two "pages." The work was presented and read by Claire Donato and Ian Hatcher at ELO_AI 2010 in Providence.
clairedonato - 11.07.2012 - 02:53
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Image fantôme
Du 17 avril 2010 au 13 septembre 2011, Nicolas Sordello et Lucile Haute tiennent un journal visuel sur Facebook. Chaque jour, à tour de rôle, ils postent une image carré et présentant la date du jour. L'image de la veille est supprimée. L'adresse directe de l'image du jour est publiée sur le profil et ouverte aux commentaires. Pendant une durée variable, l'image supprimée reste accessible sur les serveurs de Facebook. Sur le mur de Image Fantome, les mots restent tandis que les images disparaissent.
(Source: Authors' description from project site)
Scott Rettberg - 14.12.2013 - 06:14
