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1. Code, Interpretation, Avant-garde

   Code, Interpretation, Avant-garde

   Eric Dean Rasmussen - 29.08.2011 - 17:14

2. Tema procura-se

   Textual engine, with sound, by Rui Torres, exploring the combinatorial technique in digital medium, integrating it in the multimedia animated poetry. 

   Rui Torres - 25.11.2011 - 18:40

3. Pressing the ‘Reveal Code’ Key

   Pressing the ‘Reveal Code’ Key

   Patricia Tomaszek - 16.03.2012 - 23:52

4. Exchanges and Cross-Fertilizations Mapping the Field: Four Perspectives on Aleph Null

   The panel was a team-reading / deconstruction of Jim Andrews' Aleph Null. The author first presented Aleph Null, a digital artwork / digital art tool that enables users to adjust and compose a generated animation Andrews describes as "color music." Leonardo Flores presented the work in the context of Andrews' background and his prior work. Mark Marino presented a reading at the level of code, with particular attention to the paratexts in the comments of the code itself. Giovanna di Rosario read the surface effects of the piece itself.

   Eric Dean Rasmussen - 06.06.2012 - 10:40

5. Transient Self-Portrait

   Transient self–portrait is an artistic research project with the aim of creating an interactive piece.
   I take as the point of departure two pivotal sonnets in Spanish literature that are normally studied
   alongside each other, En tanto que de rosa y azucena by Garcilaso de La Vega, a 16th Century
   Spanish poet, using Italian Renaissance verse forms and Mientras por competir con tu cabello by
   Luís de Gongora, a 17th Century Spanish poet from the Baroque period. Gongora’s sonnet is a
   homage to Garcilaso’s and the styles and the cultural aspects that appear on the sonnets are very
   different reflecting the attitudes from the Renaissance and the Baroque.

   Eric Dean Rasmussen - 20.06.2012 - 19:33

6. Critical Code Studies

   Critical Code Studies

   Patricia Tomaszek - 10.07.2012 - 23:08

7. Between Code and Motion: Generative and Kinetic Poetry in French, Portuguese, and Spanish

   This article looks at works of electronic poetry in French, Portuguese, and Spanish. While video and digital experiments in these languages date back to the 1970s and 1980s, the works considered here are mostly post-World Wide Web, i.e., produced between the mid-1990s and 2009. The article discusses the work of Philippe Bootz, founding member of Lecture, Art, Innovation, Recherche, Écriture (LAIRE) and theorist of programmed literature. It comments on the relationship between digital computer code and literature, addressing the materiality of the display and poetics. Other topics explored include programming poetry, patterns of specific writing processes, and automatic text generation. Through analysis of computer-assisted multimodal and retroactive forms, this essay discusses the role played by code and motion in digital works. It also stresses the function of language as cultural form in electronic literature.

   (Source: Author's abstract)

   Scott Rettberg - 23.01.2013 - 23:20

8. Transdução: Processos de Transferência na Literatura e Arte Digitais

   Electronic Literature and Digital Art share many processes, themes, creative and theoretical guidelines. In this sense, I developed a critical framework that could resist to a hyperdisciplinary analysis and include one of the characteristics of this sharing pattern: the transfer and transformation processes. In order to recognize these processes I have done an approach of the transduction concept that could perform a theoretical migration on these aspects: the transducer function. Thus, the transducer function appears in the critical analysis of the works by Mark Z. Danielewski, Stuart Moulthrop, R. Luke DuBois and André Sier. The selected works are representative of the following genres: novel, hyperfiction, net.art and digital installation, drawing on phenomena and concerns resulting from the creative production within the digital culture. In this research I have enhanced mechanisms, patterns, languages and common grounds: authorship, user, cybertext, surface, hypertext, infoduct, interactivity, pixel, algorithm, code, programming, network, software and data. (Source: Author's abstract)

   Alvaro Seica - 15.08.2013 - 15:59

9. One + One = Zero – Vanishing Text in Electronic Literature

   The concept of “erased” text has been a recurrent theme in postmodernist criticism. While most speculation about the presence or absence of an absolute text is applied to print literature, the manifestations of digital text present a new and entirely separate level of investigation.
The combination of visible language and hidden code do not negate the basic questions of language and interpretation – these continue to be important in our study of electronic texts. However, the visible text – under the influence of code – can be modified, transformed, and even deleted in ways that introduce markedly different implications for reading strategies and meaning structures.
This paper will explore a selection of works from electronic writers illustrating text/code practices that involve disappearing “text.” Text can absent itself by the simplest of reader actions – the mouseover or the link which takes the reader to another “lexia” in the piece. But text can also be obliterated by actions of the code, unassisted by the reader/navigator. Moreover, there are intermediate techniques to create vanishing text.

   Alvaro Seica - 04.10.2013 - 11:37

10. Poemas no Meio do Caminho: Poesia Combinatória Animada por Computador

    Poemas combinatórios e generativos, programados de modo a permitir ao leitor alterar dinamicamente, em tempo de execução, os paradigmas que alimentam a sintaxe original; Som gerado aleatoriamente a partir de bases de dados previamente gravadas, com vozes e texturas sonoras; Além de alterar o poema, o leitor pode guardar as suas versões/leituras num weblog disponível na Internet. Duas versões disponíveis (versão horizontal e versão vertical) dão aos leitores a possibilidade de navegar entre distintas tipologias de página: em modo de panorama ou em modo de página html: A versão horizontal (panorama) inclui video, permite ao leitor alterar as palavras e enviar para weblog; A versão vertical (html) permite ao leitor alterar as palavras, alterar as listas e enviar para weblog.

    (Source: http://edicoes.ufp.pt/product/humanidades/poemas-no-meio-do-caminho-poes...)

    Alvaro Seica - 14.10.2013 - 13:09

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