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1. Kinetic Is As Kinetic Does: On the Institutionalization of Digital Poetry

   Kinetic Is As Kinetic Does: On the Institutionalization of Digital Poetry

   Eric Dean Rasmussen - 30.05.2011 - 15:53

2. Kinetic Poetry

   Este documento constitui o relatório sobre unidade curricular para efeitos de Provas de Agregação na área de Línguas e Literaturas Modernas1, de acordo com o estipulado na alínea b) do artigo 5º do Decreto-Lei 230/2007, de 19 de Junho. O relatório ‘Poesia Cinética’2 encontra-se dividido em três partes: (a) reflexões preliminares de contextualização da investigação e do ensino da literatura electrónica [pp. 9- 23]; (b) descrição detalhada dos conteúdos do programa e da metodologia de ensino, incluindo planificação semestral, tópicos de aula e exercícios de avaliação [pp. 25-79]; (c) um ensaio final sobre Jim Andrews, um dos autores algorítmicos estudados cuja obra é particularmente relevante para o argumento deste seminário [pp. 80-103]. Este relatório inclui ainda em anexo o CD-ROM DigLitWeb: Digital Literature Web, um sítio web pedagógico que desenhei e actualizei entre 2005 e 2010 (http://www.ci.uc.pt/diglit/). A sua estrutura e conteúdo procuram integrar as minhas actividades de investigação e de ensino, tanto a nível graduado como pós-graduado.

   Patricia Tomaszek - 04.07.2011 - 00:25

3. Caosflor

   Caosflor

   Sandra Hurtado - 06.12.2011 - 12:44

4. Between Code and Motion: Generative and Kinetic Poetry in French, Portuguese, and Spanish

   This article looks at works of electronic poetry in French, Portuguese, and Spanish. While video and digital experiments in these languages date back to the 1970s and 1980s, the works considered here are mostly post-World Wide Web, i.e., produced between the mid-1990s and 2009. The article discusses the work of Philippe Bootz, founding member of Lecture, Art, Innovation, Recherche, Écriture (LAIRE) and theorist of programmed literature. It comments on the relationship between digital computer code and literature, addressing the materiality of the display and poetics. Other topics explored include programming poetry, patterns of specific writing processes, and automatic text generation. Through analysis of computer-assisted multimodal and retroactive forms, this essay discusses the role played by code and motion in digital works. It also stresses the function of language as cultural form in electronic literature.

   (Source: Author's abstract)

   Scott Rettberg - 23.01.2013 - 23:20

5. Beer

   Beer

   Scott Rettberg - 09.07.2013 - 14:25

6. La dérive des continents

   La dérive des continents

   Jill Walker Rettberg - 29.08.2013 - 15:47

7. çacocophonie

   Çacocophonie is built with Processing and was published at DOC(K)S homepage in July 2013. On September 23, 2013, during the first debate of the ELO 2013 conference "Chercher le Texte," Castellin presented at Le Centre Pompidou auditorium in Paris three different versions of the poem: a plain and static text version, written on a word processor, and two animated versions, both built with Processing, but having slow and quick juxtapositions of animated text.

   Alvaro Seica - 20.10.2013 - 20:26

8. A Vanguard Projected in Motion: Early Kinetic Poetry in Portuguese

   This essay serves to promote a broader awareness of the pioneering efforts in videographic poetry produced in Portuguese in the decades leading up to the formation of the WWW. At present, documentation of such works in books and journal articles in English is particularly weak; the only title that even partially introduces such works is a now out-of-print issue of Visible Language that focused on New Media Poetry (Vol. 30.2). Thus, these historical predecessors to contemporary animated poetry are barely known in the United States. Prior to the 1990s only a few poets used video; much of what occurred transpired outside the realm of English (and some even outside the realm of language, as illustrated in the essay).

   (Source: Author's Abstract)

   Alvaro Seica - 19.11.2013 - 13:00

9. Significantes em Movimento em Movimento

   Significantes em Movimento em Movimento

   Alvaro Seica - 04.12.2013 - 14:31

10. Robolettries

    Les Robolettries est de la poésie qui est réalisée en programmation en utilisant l’ordinateur comme outil (actif, dynamique). Quelques unes de ces œuvres ont été créées comme des hommages aux autres artistes/écrivains qui travaillaient dans le domaine de l’informatique (Jean Pierre Balpe, Antoine Schmitt). Alexandre Gherban, l’auteur des robolettries, présente les poèmes dans une forme transitoire observable. Ces poèmes peuvent être classifiés sous le mouvement de "Lettrisme." Dans l’art de ce mouvement, les lettres et les symboles ne sont pas considérés comme porteurs des messages utiles, mais plutôt comme des objets d’art ou comme matériel visuel. Dans le site web, il y a une liste des œuvres qui suivent cette même classification de programmation, les robolettries en faisant partie. Ce programme met en scène de petits automates où l'on voit le comportement et les mouvements programmés des « lettres fluctuantes ». Le nom de ce programme vient du mot « robographe. » Au total, Gherban a créé 9 robolettries ; chacune présentant différents titres et donc un thème, une variété de couleur et un mouvement différent.

    Erin Stigers - 09.09.2014 - 03:54

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