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1. Poesia Eletrônica no Brasil: Alguns Exemplos

   Este artigo é um breve estudo sobre a poesia eletrônica no Brasil, sob enfoque histórico e num percurso a partir do uso das tecnologias do século XX e XXI (rádio, cinema, vídeo, computador, internet, web) que vem produzindo uma poesia que reúne palavra, imágem (estática e/ou animada) e som nos meios eletrônico-digitais (videopoesia, holopoesia, poesia eletrônica) usando a interface, a interatividade, a hipertextualidade e a hipermídia.

   (Source: Author's Abstract)

   Luciana Gattass - 08.11.2012 - 15:15

2. Videopoetry

   This paper is a theoretical approach to videopoetry. The concept of videopoetry as distinct from videoart came as the result of experimenting with video for creative and poetic production using verbal and nonverbal signs in 1968. It was not until 1985 that I had the opportunity to develop a new body of video work. Videopoetry soon became a new kind of poetry in its own right, with its own grammar and semantics. Thus videopoetry is a challenge for poets and readers as we are drifting away from Mallarmé’s galaxy and cannot escape the worldwide information sphere.

   (Source: Author's Abstract)

   Alvaro Seica - 11.11.2013 - 15:12

3. A Vanguard Projected in Motion: Early Kinetic Poetry in Portuguese

   This essay serves to promote a broader awareness of the pioneering efforts in videographic poetry produced in Portuguese in the decades leading up to the formation of the WWW. At present, documentation of such works in books and journal articles in English is particularly weak; the only title that even partially introduces such works is a now out-of-print issue of Visible Language that focused on New Media Poetry (Vol. 30.2). Thus, these historical predecessors to contemporary animated poetry are barely known in the United States. Prior to the 1990s only a few poets used video; much of what occurred transpired outside the realm of English (and some even outside the realm of language, as illustrated in the essay).

   (Source: Author's Abstract)

   Alvaro Seica - 19.11.2013 - 13:00