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1. Locating the Literary in New Media

   Locating the Literary in New Media

   Eric Dean Rasmussen - 27.06.2011 - 09:14

2. Reflections on the iconicity of digital texts

   Reflections on the iconicity of digital texts

   Eric Dean Rasmussen - 29.08.2011 - 13:19

3. New Media Textuality and Semiotics

   New Media Textuality and Semiotics

   Eric Dean Rasmussen - 30.08.2011 - 12:32

4. Better Looking, Close Reading: How Online Fiction Builds Literary-Critical Skills

   [insert abstract here] On reading fiction as an ethical task...

   Presented on Saturday, 7 January at the 2012 MLA Convention, panel 442, "New Media, New Pedagogies," arragned by the Division of Prose Fiction. Other panelists included Heather Houser, Jay Clayton, and the moderator, Rebecca L. Walkowitz.

   Eric Dean Rasmussen - 07.01.2012 - 20:04

5. Performance and the Digital Text

   Introductory remarks to the ELMCIP Seminar on Digital Text with/in Performance, hosted by University College Falmouth at the Arnolfini, Bristol.

   Eric Dean Rasmussen - 30.04.2012 - 11:12

6. Machinic Performance

   Machinic Performance

   Eric Dean Rasmussen - 30.04.2012 - 11:18

7. Forms of Future

   Forms of Future

   Eric Dean Rasmussen - 01.05.2012 - 09:29

8. Performance as a Categoriser

   Performance as a Categoriser

   David Prater - 03.05.2012 - 12:57

9. On the Possibility of a Text That Is Not Digital

   This twenty-minute paper builds toward the following provocation: it is no longer possible for a text not to be digital. Considering both existing and invented definitions of digital textuality, this paper frames (again!) various discussions of the nature of digital (and "electronic) texts, examining in digital texts their materialities and temporalities, their associated modes of composition and reception, their most evident differences from traditional texts, and their claims to both digital-ness and to textuality. Selecting key features from this analysis, I conclude that the digitalness of a text relates to the way in which it opens (and closes) certain possibilities of reading and other actions. Google's Book project, numerous digital library efforts, and even devices for digitizing business cards attest to the drive to make all texts digital. But, I suggest, even beyond these current events, we have come to understand the very idea of a text already in terms of its possibilities and thus as already digital or potentially digital. What room is left for another, non-digital notion of textuality to present itself?

   (Source: Author's introduction)

   Thor Baukhol Madsen - 17.02.2015 - 15:05

10. Welcome to the Antique: Curating Archival Hypertext Over the Long Term

    We Descend: Archives Pertaining to Egderus Scriptor first appeared in electronic form in 1997, published by Eastgate Systems on a floppy disk as a Storyspace Reader for Macintosh computers; as of 2018, the work is available on the internet, encoded in HTML5 and CSS3, the latest in a series of at least a dozen necessary "upgrades" to its software instantiation. Throughout this period, techology for presenting archival material has continued to transform at an increasing rate. At the same time, previously unknown writings have come to light; new methods of processing writings have been developed; and certain assumptions guiding the preparation of previous volumes have had to be updated as well. This paper will focus on some of the most pressing issues facing the primary "minder of gaps" in such an enterprise, the Curator, of which Bill Bly is only the most recent. 

    Chiara Agostinelli - 15.10.2018 - 02:26

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