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Internet Literature in China: A New Literary Revolution?
During the past 10 years, the success of Internet literature has become the most attractive phenomenon in contemporary Chinese literature. Internet literature has not only attracted millions of readers, it has also gained commercial success. How can we understand the combination of computer and Internet as a kind of global technology, and the literature, as the local and the national representation, in China? In order to answer this important question, my paper will begin with a discussion of the rising young and famous Internet literature writers. The Internet not only provides a new world of cyberspace to young people to express their feelings and lives in a new age, it has also created new possibilities for the refashioning of literature in contemporary China. By following the successful stories of Internet literature writers, we will find that Internet literature, as a kind of new folk disourse, creates a new discursive space and constructs a kind of virtual identity. Such an attempt, generally called "the spirit of new folk literature" in the cyberspace, counters the elite discourse of Chinese traditional literature.
Audun Andreassen - 20.03.2013 - 09:47
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Missed Collections: Away From the Canon, Toward the Archive
This paper expands on some of the questions raised by my presentation at the 2009 Digital Arts and Culture conference, held last December at UC Irvine. While examining the work of Young-Hae Chang Heavy Industries (YHCHI), I asked what it might mean for a new media practitioner to intentionally disregard or shun many of the medium’s inherent capabilities. I was interested in the way in which YHCHI seemed to be protesting some of the assumptions or characteristics of the nascent canon of electronic literature, i.e. that works of new media are inherently multidirectional, adaptive, non-linear, etc.
Audun Andreassen - 10.04.2013 - 12:47
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The New-Media Novel: The Intersection of Film, E-Lit & Story
Advances in authoring tools are allowing a new kind of novel to emerge that resides at the intersection of print, film, and e-lit. I’d like to propose a reading from TOC: A New-Media Novel as its example of the new-media book.
Often created by a team of collaborators working in sound, animation, and language, these new-media novels involve many of the same challenges and pleasures of working in film, theater or other collaborative arts. And yet, unlike theater or film, these multimedia novels are books: they are read; they offer the same one-on-one personal experience readers have always had through reading traditional novels. The first part of the presentation will be a tour through TOC: A New-Media Novel by Steve Tomasula, with art and design by Stephen Farrell, animation by Matt Lavoy, programming by Christian Jara, and music, art, and other contributions from 13 other artists.
Audun Andreassen - 10.04.2013 - 13:03
