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1. Performance and the Digital Text

   Introductory remarks to the ELMCIP Seminar on Digital Text with/in Performance, hosted by University College Falmouth at the Arnolfini, Bristol.

   Eric Dean Rasmussen - 30.04.2012 - 11:12

2. Machinic Performance

   Machinic Performance

   Eric Dean Rasmussen - 30.04.2012 - 11:18

3. Reading (De)coherent Hypertexts: a Creative Performance Based on a Close Reading of the German Hyperfiction Zeit für die Bombe

   Reading (De)coherent Hypertexts: a Creative Performance Based on a Close Reading of the German Hyperfiction Zeit für die Bombe

   Eric Dean Rasmussen - 02.05.2012 - 12:04

4. Performance as a Categoriser

   Performance as a Categoriser

   David Prater - 03.05.2012 - 12:57

5. Huis Clos / No Exit

   A work-in-progress presentation of a performance project. Abraham's describes a scripted telematic performance in which constraints and interface limitations fme the performance. She describes her work as performance to do research, and research as a medium and playground. Always an exercise in self-organization--the performances are not directed. The performance is a multilingual one about communication, miscommunication, and translation.

   Scott Rettberg - 04.05.2012 - 12:44

6. Curating the MLA 2012 'Electronic Literature' Exhibit

   What follows is an explanation of the logic underlying this idea of curating the "Electronic Literature" exhibit and a rearticulation of our curatorial statements, viewed now in retrospect. Dene Grigar begins by introducing our underlying views and includes her revised statement for "Works on Desktop." Lori Emerson follows with her statement on "Readings and Performances;" Kathi Inman Berens ends the essay with her statement on "Mobile and Geolocative" works.

   Source: from the article (3)

   Patricia Tomaszek - 28.08.2012 - 22:14

7. Upstage

   Upstage

   Scott Rettberg - 04.11.2012 - 12:02

8. Instrument Making (Interview with Eric Loyer)

   Erik Loyer created the canonical early net-art pieces 'Lair of the Marrow Monkey'(1998) and 'Chroma'(2001). Not content with those genius works, he went on to creative direct the avant-garde net-journal Vectors, and designed the activist documentary Webby-award nominee 'Public Secrets'.

   Throughout Loyer's works there is a persistent synaesthetic edge: a concern with tactility and synchronized audio-visuals that gives his work abiding engagement. He thinks of himself as an instrument maker, and this tendency is apparent in his recent works: the best-selling 'Strange Rain' and a recent immersive graphic novel app "Upgrade Soul" which incorporates modular music mapped to gestures.

   Interview 2012-06-23 at ELO Morgantown.

   (Source: David Jhave Johnston, Vimeo)

   Scott Rettberg - 12.02.2013 - 13:13