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A Short History of Electronic Poetry
“Una Piccola Storia della Poesia Elettronica” presents a brief history of digital poetry, from the perspective of the Electronic Poetry Center (EPC), Buffalo, and the international E-Poetry Festivals of digital literature, art, and performance (E-Poetry). The paper engages the discipline from various perspectives, considering its relation to historic contextualizing movements and institutional mechanisms. Typifying the E-Poetry festivals, it is argued, are its exuberant origins: (1) the U.S. small press movements of the later twentieth century; (2) the activities and philosophies of the Electronic Poetry Center; (3) its self-definition as more broadly-conceived than that of hypertext; (4) the pre-existing literary ground of Language Poetry practices; (5) the vibrancy of the as-then-constituted Poetics Program at Buffalo, and; (6) a "symposium of the whole", the continued emerging importance of enthnopoetic localizations to an eventual realization of contemporary poetics.
Patricia Tomaszek - 12.01.2011 - 16:57
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Filiations and History of Digital Literature in France
In this paper, I retrace the filiations and the history of digital literature in France, emphasizing the various literary and aesthetic tendencies and the corresponding social structures (groups, reviews...). I conclude with the possible characteristics of digital literature in France (which might not be specific to France).
Patricia Tomaszek - 12.01.2011 - 17:12
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Experimental Poetry and Technology in Argentina: History, Critique, Politics
Experimental Poetry and Technology in Argentina: History, Critique, Politics
Scott Rettberg - 21.05.2011 - 00:08
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The History of Hypertext Authoring and Beyond: Interview with Stuart Moulthrop
Malloy's interview with Moulthrop focuses on his early work, his entrée into writing hypertext and his hypertext novel Victory Garden, the "mostly mythical" artists' collective TINAC, and one of his later works, Under Language. The interview appears on the Authoring Software project.
Scott Rettberg - 20.10.2011 - 09:42
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Friending the Past: The Sense of History and Social Computing
Reflecting on the relation between the media ages of orality, writing, and digital networking, Liu asks the question: what happens today to the “sense of history” that was the glory of the high age of print? In particular, what does the age of social computing—social networking, blogs, Twitter, etc.—have in common with prior ages in which the experience of sociality was deeply vested in a shared sense of history? Liu focuses on a comparison of nineteenth-century historicism and contemporary Web 2.0, and concludes by touching on the RoSE Research-oriented Social Environment that the Transliteracies Project he directs has been building to model past bibliographical resources as a social network. (Source: author's abstract)
Eric Dean Rasmussen - 20.10.2011 - 13:05
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Hypertext in the Attic: The Past, Present, and Future of Digital Writing
A discussion of a range of hypertext fictions asking whether hypertext still matters in literature.
Jill Walker Rettberg - 23.01.2013 - 22:31
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Anomalies
Authors of the Impossible: The Paranormal and the Sacred
Jeffrey J. Kripal
Chicago: University of Chicago Press, 2011. Print.
Investigating the Anomalies: Mysteries from Behind the Former Iron Curtain
Vladimir V. Rubtsov
Kharkov, Ukraine: Research Institute on Anomalous Phenomena, 2011. Kindle eBook.
Wonders in the Sky: Unexplained Aerial Objects from Antiquity to Modern Times
Jacques Vallee and Chris Aubeck
New York: Tarcher/Penguin, 2010. Print.
From the heavens to the stars, the number three has often been tied to the occult. Carrying on this tradition, Rob Swigart has brought together three books that investigate the anomalous, address the unexplained, and answer the impossible. The truth is in here.
(source: http://electronicbookreview.com/thread/criticalecologies/anomalous)
Malene Fonnes - 26.09.2017 - 12:41
