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1. Electronic Literature Collection, Volume Two

   A Creative-Commons licensed anthology collecting sixty-three works of electronic literature that can be browsed by author, title, and keyword. Contributions are from the following: Countries: Austria, Australia, Catalonia, Canada, Colombia, France, Germany, Israel, The Netherlands, Portugal, Peru, Spain, United Kingdom, United States of America Languages: Catalan, Dutch, English, French, German, Portuguese, Spanish Formats: Flash, Processing, Java, JavaScript, Inform, HTML, C++

   Eric Dean Rasmussen - 18.02.2011 - 18:11

2. Technics and Violence in Electronic Literature

   Technics and Violence in Electronic Literature

   Eric Dean Rasmussen - 22.02.2011 - 20:51

3. E-literature

   E-literature

   Eric Dean Rasmussen - 07.03.2011 - 08:48

4. Is Life Like a Book or a Smart Phone? Why Form in Fiction Matters

   Rob Wittig's 17 minute video lecture, recorded for a TEDx event at the University of Minnesota / Duluth, lays out some ideas about connections between the design of printed books and a particular idea of life in contemporary culture, in contrast to a model of life based on postmodern ideas of identity. He also references the context of literary history in considering the forms of literature that might be suited to a culture of multitasking and smart phones, at one point comparing Don Quixote to a contemporary gadget-obsessed digital native. The talk and accompanying slideshow provide a useful introduction to some important questions about the relationship between contemporary technologies and literary form.

   Scott Rettberg - 08.03.2011 - 21:37

5. The Tradition of E-Lit Publishing in France

   The Tradition of E-Lit Publishing in France

   Eric Dean Rasmussen - 04.04.2011 - 12:01

6. Electronic Literature Publishing and Distribution in Europe

   A preliminary presentation of Publishing E-Lit in Europe,  a report detailing efforts to systematically survey and analyze the publication of electronic literature within Europe. Due to the immensity of their investigation and the limitations on what two researchers could achieve in three months' time, the authors emphasized that their report was a work in progress: at this point, they had been able to collect primary data about the publications, portals, collections, contests and other forums that supported the creation and distribution of electronic literature in Europe. The revised version of the report would feature more content analysis - of the type of material published and trends that distinguished various e-lit communities writing within specific linguistic and cultural traditions.

   Eric Dean Rasmussen - 05.04.2011 - 11:37

7. The Vinaròs Prize for Electronic Literature

   A report on the history of the Vinaròs Prize for Electronic Literature that provides an overview of the award-winning works, explains how the winning works were selected, and discusses how a small town in eastern Spain decided to host an international literary competition.

   Eric Dean Rasmussen - 05.04.2011 - 11:53

8. Editing the Electronic Literature Collection, Volume Two

   A report on the issues and challenges, both conceptual and technical, the four-member editorial team (Laura Borràs, Talan Memmott, Rita Rayley, and Brian Kim Stefans) faced when assembling a collection of sixty works of electronic literature that aspired to be representative of a diverse, international field of literary practice.

   Eric Dean Rasmussen - 05.04.2011 - 12:20

9. Netzliteratur.net and Edition Cyberfiction

   Netzliteratur.net and Edition Cyberfiction

   Eric Dean Rasmussen - 05.04.2011 - 12:38

10. PO.EX '70-­80: The Electronic Multimodal Repository

    Portuguese experimental poetry of the 1970s and 1980s includes visual poetry, sound poetry, videopoetry, performance poetry, and computer poetry. Experimental literary objects, practices, and events often consist of an interaction between notational forms on paper and site-specific live performances. Thus the eventuality of literary meaning is dramatically foregrounded by turning the text into a script for an act whose performance co-constitutes the work. The aim of ‘PO.EX ‘70-’80: A Digital Archive of Portuguese Experimental Literature’ (http://po-ex.net/) is to represent this intermedia and performative textuality in an electronic database. The aggregation and marking up of this large multimodal corpus has material and interpretative implications which challenge our representations of experimental works and practices. Whether taking the form of facsimiles of books and paper collages, photographs of installations, videos of performances or emulations of early digital poems, digital remediation re-performs the works for the current techno-social context.

    Scott Rettberg - 20.05.2011 - 13:28

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