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Stitching Together Narrative, Sexuality, Self: Shelley Jackson's Patchwork Girl
Landow, who praises Patchwork Girl as "the finest hypertext fiction thus far to have appeared," appreciates Jackson's mastery of hypertextual collage, which reveals, he suggests, how analogous techniques are at play when we conceptualize our gendered identities. (Source: Eric Dean Rasmussen)
Eric Dean Rasmussen - 11.03.2011 - 16:11
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Remediation
Remediation
Eric Dean Rasmussen - 28.09.2011 - 08:41
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The New River 1
The New River 1
Scott Rettberg - 11.10.2011 - 14:54
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Literaturgeschichte des Digitalmediums
Literaturgeschichte des Digitalmediums
Jörgen Schäfer - 18.10.2011 - 14:45
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Ansätze und Möglichkeiten künstlerischen Dialogs und dialogischer Kunst
Ansätze und Möglichkeiten künstlerischen Dialogs und dialogischer Kunst
Johannes Auer - 06.11.2012 - 12:39
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Four Temperaments and the Forms of Poetry
Four Temperaments and the Forms of Poetry
Jeneen Naji - 08.01.2013 - 16:42
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Сети для художника
Сети для художника
Natalia Fedorova - 27.01.2013 - 00:11
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Tracing the Growth of a New Literature
Michael Shumate has been charting hypertext fiction activity on the Web at his site, Hyperizons, for more than two years. In this article, he surveys and critiques the state of hypertext fiction on the Web.
Source: CMC
Patricia Tomaszek - 30.08.2013 - 18:23
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Silicon Poetics: The Computer as Author and Artifice
This thesis explores how various computer programs
construct poems and addresses the way several critics
respond to these computer generated texts. Surprisingly,
little attention has heretofore been paid to these programs.
Critics who have given the matter attention usually focus on
only one of the myriad programs available, and more often
than not, such scholarship concludes with a disparagement of
all such projects. My work reexamines computer generated
poetry on a larger scale than previously exists, positing
some conclusions about how these texts affect contemporary
theories of authorship and poetic meaning.
My first chapter explicates the historical debate over the
use and limits of technology in the generation of text,
studying similitudes between certain artistic movements and
computer poetry. This historical background reveals that
the concept of mechanically generated text is nothing new.
My second chapter delineates how the two main families of
computer poetry programs actually create these texts.
Computer programs combine existing input text, aleatoryJohannah Rodgers - 30.10.2015 - 16:48
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Critical Ecologies
The original editors of Critical Ecologies, Joseph Tabbi and Cary Wolfe, constructed this green and grey thread “to explore convergences among natural and constructed ecosystems, green politics and grey matter, silicon chips and sand.” Texts from this period include a 2004 Joseph McElroy Festschrift that hints at the literary implications of an ecological, medial turn in literary theory. The Critical Ecologies thread will continue these explorations under the editorship of Stacy Alaimo, who encourages inquiry and debate on new materialisms, animal studies, posthumanism, and science studies.
(Source: EBR)
Malene Fonnes - 25.09.2017 - 15:16