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1. Thomas Pynchon

   Thomas Pynchon

   Yvanne Michéle Louise Kerignard - 23.09.2019 - 22:28

2. What was Postmodernism ?

   What was Postmodernism ?

   Yvanne Michéle Louise Kerignard - 24.09.2019 - 14:43

3. Nominalisms Ancient and Modern: Samuel Beckett, the Pre/Post/Modernist?

   Nominalisms Ancient and Modern: Samuel Beckett, the Pre/Post/Modernist?

   Yvanne Michéle Louise Kerignard - 24.09.2019 - 14:51

4. “Not Going Where I Was Knowing”: Time and Direction in the Postmodernism of Gertrude Stein and Caroline Bergvall

   “Not Going Where I Was Knowing”: Time and Direction in the Postmodernism of Gertrude Stein and Caroline Bergvall

   Yvanne Michéle Louise Kerignard - 24.09.2019 - 14:58

5. From Master(y) Narratives to Matter Narratives: Jeanette Winterson’s The Stone Gods

   From Master(y) Narratives to Matter Narratives: Jeanette Winterson’s The Stone Gods

   Yvanne Michéle Louise Kerignard - 24.09.2019 - 15:00

6. Practicing Disappearance: A Postmodern Methodology

   Practicing Disappearance: A Postmodern Methodology

   Yvanne Michéle Louise Kerignard - 24.09.2019 - 15:04

7. At the Time of Writing

   At the Time of Writing" considers the role of proprioception and the embodied memory of writing and gesture as a critical component of readerly practices. Anna Gibbs and Maria Angel examine a series of works of born digital literature that use representational techniques to evoke an "ethos of touch" that is critical to the experience of the work. Gibbs and Angel conclude that feeling is key to the process of meaning-making, and that experimental interfaces foreground the importance of the body in literature.

   Pablo Uribe Valero - 24.09.2019 - 15:29

8. The Contour of a Contour

   The Contour of a Contour

   Gesa Blume - 24.09.2019 - 15:49

9. Machine Writing: Translation, Generation, Automation

   Machine Writing: Translation, Generation, Automation

   Gesa Blume - 24.09.2019 - 16:01

10. Don't Eat the Yellow Hypertext: Notes on Figurski at Findhorn on Acid

    "Don't Eat the Yellow Hypertext: Notes on Figurski at Findhorn on Acid" is a personal essay by Richard Holeton that describes the creative process behind the acclaimed hypertext novel Figurski at Findhorn on Acid.

    In 1996, Holeton took part in Robert Kendell's online writing class on "Hypertext Poetry and Fiction" at the The New School for Social Research. The first draft of Figurski at Findhorn on Acid was produced as his class project. Holeton continued to refine the novel over the next five years, releasing the first full version through Eastgate publishers in 2001.

    Chelsea Miya - 30.10.2019 - 02:28

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