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  1. Dichtung Digital 40

    This edition reflects upon the need of techniques to approach the ongoing upheavals taking place in today's technology-driven production of (literary) art. The contributions assembled here all discuss ways of reading cultural objects created with digital media. The objects of interest are: a computer game (Soderman), a performance of a work that houses and visualizes its literary artifacts on a website - a huge database of texts by different authors (Rettberg), default settings and electronic poetics in an age of technological determinism (Heckman), literary artifacts in between book and programmable media (Vincler), story-telling in the Gulf (Lenze), and signs in a culture of mashups (Navas). In a time when cultural objects in digital culture reconfigure the reception of their addressees, it is important to develop not only a proper understanding of the impact of these ruptures on literary communication but also an interpretation of the presented moves into the scope of scholarly discussion. Such an engagement calls for what Roberto Simanowski proposes in his contribution: "digital hermeneutics."

    Patricia Tomaszek - 06.05.2011 - 18:42

  2. Encapsulating E-Poetry 2009: Some Views on Contemporary Digital Poetry

    Digital poet and researcher Chris Funkhouser attends E-Poetry 2009 in Barcelona and files a report on what he heard and saw.

    Patricia Tomaszek - 25.05.2011 - 16:31

  3. Inner Workings: Code and Representations of Interiority in New Media Poetics

    'Inner Workings' addresses itself to the methods, properties and practices of writing systems, including human writing systems, whose very signifiers are programmed. What does programmed signification tell us about the inner human writing machine? John Cayley's essay participates in relevant metacritical and metapsychological discussions - reexamining Freud's Mystic Writing Pad in particular - and is specifically sited within the context of debates on code and codework in literal art. Rather than revealed interiority, code is the archive and guarantee of inner workings than reside beneath the complex surfaces of poetics in programmable media.

    Patricia Tomaszek - 27.05.2011 - 23:29

  4. The Time of Digital Poetry: From Object to Event

    The Time of Digital Poetry: From Object to Event

    Eric Dean Rasmussen - 30.05.2011 - 10:58

  5. Electric Line: The Poetics of Digital Audio Editing

    Electric Line: The Poetics of Digital Audio Editing

    Eric Dean Rasmussen - 30.05.2011 - 14:24

  6. Screening the Page/Paging the Screen: Digital Poetics and the Differential Text

    Screening the Page/Paging the Screen: Digital Poetics and the Differential Text

    Eric Dean Rasmussen - 30.05.2011 - 14:33

  7. Digital Gestures

    Digital Gestures

    Eric Dean Rasmussen - 30.05.2011 - 21:03

  8. Language Writing, Digital Poetics, and Transitional Materialities

    Language Writing, Digital Poetics, and Transitional Materialities

    Eric Dean Rasmussen - 30.05.2011 - 21:18

  9. Vniverse

    The authors of Vniverse present the work Vniverse and explore the concepts of interactive reading and social reading spaces.

    Eric Dean Rasmussen - 30.05.2011 - 21:23

  10. The Four Corners of the E-lit world. Textual Instruments, Operational Logics, Wetware Studies and Cybertext Poetics

    The Four Corners of the E-lit world. Textual Instruments, Operational Logics, Wetware Studies and Cybertext Poetics

    Eric Dean Rasmussen - 30.08.2011 - 12:45

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