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Joël Gilles
Joël Gilles
Scott Rettberg - 27.04.2011 - 14:34
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Dan Waber
Dan Waber
Eric Dean Rasmussen - 28.04.2011 - 14:32
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Ted Warnell
Ted Warnell
Rita Raley - 05.05.2011 - 14:32
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David Knoebel
David Knoebel
Rita Raley - 05.05.2011 - 14:35
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An Interview with David Knoebel on "Heart Pole"
An Interview with David Knoebel on "Heart Pole"
Patricia Tomaszek - 05.05.2011 - 16:07
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Wilton Azevedo
Wilton Azevedo is plastic artist, graphic designer, poet and musician. Phd in Communication and Semiotics at PUC-SP (Pontificia Universidade Catolica) and post doctor at Université Paris VIII Laboratoire de Paragraphe – 2009 -. Published O que é Design (Brasiliense) 1988, Os Signos do Design (Global) 1994, Interpoesia: Poesia Interativa Hipermídia 2000 Cdrom, Looppoesia: A Poética da Mesmice 2004 Cdrom, ALIRE 12 - 2004, DVD - Quando Assim Termina O Nunca... video poetry 2008 and sound poetry Cd Inaldível Silábios Editora Mackenzie 2008 – Exibition with group Transitoire Observable at Centre George Pompidou 2004. Azevedo is professor reseacher at Universidade Presbiteriana Mackenzie in the Post Graduated Programm strito sensu in Education, Art and Culture History and post Graduate Programe in literature.
(Source: Author)
Scott Rettberg - 20.05.2011 - 13:11
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PO.EX '70-80: The Electronic Multimodal Repository
Portuguese experimental poetry of the 1970s and 1980s includes visual poetry, sound poetry, videopoetry, performance poetry, and computer poetry. Experimental literary objects, practices, and events often consist of an interaction between notational forms on paper and site-specific live performances. Thus the eventuality of literary meaning is dramatically foregrounded by turning the text into a script for an act whose performance co-constitutes the work. The aim of ‘PO.EX ‘70-’80: A Digital Archive of Portuguese Experimental Literature’ (http://po-ex.net/) is to represent this intermedia and performative textuality in an electronic database. The aggregation and marking up of this large multimodal corpus has material and interpretative implications which challenge our representations of experimental works and practices. Whether taking the form of facsimiles of books and paper collages, photographs of installations, videos of performances or emulations of early digital poems, digital remediation re-performs the works for the current techno-social context.
Scott Rettberg - 20.05.2011 - 13:28
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Bearing the Fruits of E-Poetry: A Personal Decennial View
Bearing the Fruits of E-Poetry: A Personal Decennial View
Scott Rettberg - 20.05.2011 - 13:35
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The Surface Materiality: Performing Generative Writing
The Surface Materiality: Performing Generative Writing
Scott Rettberg - 20.05.2011 - 13:38
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Electronic Publishing
Electronic Publishing
Scott Rettberg - 20.05.2011 - 13:56
