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  1. Cibertextualidades 5

    The impact of hypertext and hypermedia on scholarly editing of our literary legacy, which is increasingly published in electronic formats, has fostered a conceptual shift from the archive as a classified hierarchical collection of texts to the archive as a decentred and reconfigurable network of texts. Another important set of questions concerns new methods for editing and organizing multimodal textualities resulting from combinations of materials and media (graphic, audio, video, digital). The convergent multimodality of digital textuality opens up a new editing and archival space for multimedia and intermedia forms of writing. In the current technological context, innovative and experimental literary forms become relevant, as many of the operations that the machine provides can be found in previous literary practices: from collages and automatic writing to narrative permutations and intermedia poetry. This issue of the journal addresses problems of representing, archiving, and publishing experimental literary forms in digital spaces.

    Patricia Tomaszek - 02.07.2013 - 16:56

  2. Hostages of the Ephemeral: A Preservationist View of Electronic Literature

    Throughout history, stewards of cultural heritage collections have advocated for technologies of external memory based on their proven ability to endure into the future. Despite studies that demonstrate how zeros and ones inscribed on digital media often stand up well to the ravages of time, the long-term preservation of the content they encode—particularly in the field of electronic literature—has proven to be a challenge. This is because the accessibility of electronic literature depends as much on the preservation of bit-streams as on the long-term viability of specialized computing environments and their constituent hardware and software components, thereby placing works of electronic literature at considerably greater risk of disappearance than their analog predecessors. Although authors of electronic literature have cultivated a growing awareness of best practices in digital preservation, they still lack tools designed with the posterity of their creations in mind. This paper explores these issues, as well as the question of ephemerality for electronic literature, by assessing contemporary digital formats within the broader history of preservation technologies.

    Jill Walker Rettberg - 23.08.2013 - 10:33

  3. Traduire et préserver des œuvres numériques : Les projets du Laboratoire NT2 : La revue bleuOrange et L’Abécédaire du Web

    Dans le cadre du thème “Chercher le texte nunérique” les Laboratoires NT2 proposent une table ronde afin d’aborder la question de la préservation et de la traduction de la littérature hypermédiatique. Par littérature hypermédiatique, les Laboratoires NT2 entendent des œuvres ayant un contenu littéraire et faisant usage des technologies numériques. Ce sont des œuvres qui combinent matériau textuel et multimédia (sons, images, vidéos, etc.), des hypertextes, des textes générés par ordinateur, des fictions interactives, etc. Lors de cette table ronde, nous présenterons l’importance ainsi que la difficulté de traduire les œuvres de ce corpus. L’importance découle du mandat des Laboratoires NT2 de faire connaître en français cette littérature. La difficulté résulte dans la traduction d’œuvres qui doivent se faire en équipe, avec des créateurs qui n’ont plus toujours accès au code informatique de leur travail ou qui doivent le reprogrammer, c'est-à-dire, retraduire leur propre œuvre pour l’adaptation de leur œuvre vers le français.

    Scott Rettberg - 25.09.2013 - 15:26

  4. Preservation of Digital Literature: From Stored to Reinvented Memory

    Regarding preservation, the digital age is the most fragile and complex context in the history of humanity. the added-value of digital technology is thus not where one expects. The digital medium is not a natural preservation medium, but digital technology makes us enter another universe which is a universe of reinvented and not stored memory. From this point of view, digital literature can be regarded as a good laboratory to address digital preservation: it makes it
    possible to raise the good questions and presents the digital age as a move from a model of stored memory to a model of reinvented memory.

    Source: Authors Abstract

    Note: This article is based on a presentation given at E-Poetry 2009 titled "Preservation of Digital Literary Works: Another Model of Memory?"

    Patricia Tomaszek - 21.10.2013 - 19:22

  5. Electronic Literature as Cultural Heritage (Confessions of an Incunk)

    This is the text of a talk given at the plenary panel at the Electronic Literature Showcase at the Library of Congress, curated by Kathi Inman Berens and Dene Grigar.

    Patricia Tomaszek - 22.10.2013 - 18:12

  6. Report on PO.EX’70-80

    Funkhouser describes the PO.EX’70-80 project and highlights several elements of the database, praising the taxonomy and preservation/representation of works.

    Hannah Ackermans - 07.12.2018 - 10:07